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Caught in a Landslide

Issue 252 - June, July, August 2025

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Frieze

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

- Nadia Egan

Caught in a Landslide

If the current state of affairs has taught us anything, it’s that uncertainty is not merely a passing state but an enduring condition. We live in flux, navigating shifting landscapes — both literal and metaphorical — across digital spheres, personal identity and physical spaces. These sentiments run deep in ‘Caught in a Landslide’, a group show spanning Neuer Berliner Kunstverein. and KINDL, featuring works by Berlin-based international artists who received the Berlin Senate’s 2024 visual arts work stipend. Through video, sound, painting, sculpture, installation and performance, the exhibition explores how individuals and communities navigate precarity, revealing uncertainty not as just something to be endured but as an active force shaping experience, perception and belonging.

One of the most pervasive forms of uncertainty today unfolds in the digital realm. Tethered to our screens, we are constantly subject to algorithmic manipulation. Jasmin Werner's installation

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JR Perrotin, London, UK

In 2017, the French street artist JR staged a giant installation at the US-Mexico border wall, with guests enjoying a meal on either side.

time to read

2 mins

Issue 252 - June, July, August 2025

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Leah Ke Yi Zheng

In ‘Machine(s)’, her first solo exhibition at Layr, Wuyishan-born, Chicago-based artist Leah Ke Yi Zheng continues to confront the conventional role of canvas as passive support in works whose physical shape is integral to their meaning and whose mutable, translucent surfaces are imbued with an almost-bodily presence.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Caught in a Landslide

Neuer Berliner Kunstverein and KINDL, Berlin, Germany

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Typologien

In the age of AI deep fakes and disinformation, dissecting the context and influence of image production is more important than ever.

time to read

2 mins

Issue 252 - June, July, August 2025

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Frieze

C'est Marseille, bébé

Dossier: Four love letters to Marseille – penned by curators and writers – celebrate the cultural and political spirit of France’s second city

time to read

11 mins

Issue 252 - June, July, August 2025

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Frieze

Banu Cennetoğlu

In ‘BEING SAFE IS SCARY’, Turkish artist Banu Cennetoğlu reflects upon the adversities of the migrant experience, hinting at the extraordinary powers that governments can wield in the guise of protection.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

They Began to Talk

Against the background of an endless vibra-tion, birds chirp as trains rumble by.

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

In Our Own Backyard

‘How many feminists do you need to change an electric bulb?’ asked Indian writer and activist Kamla Bhasin and author and illustrator Bindia Thapar in their book Laughing Matters (2004).

time to read

2 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Lawrence Abu Hamdan

Profile: From drone strikes to wind turbines, the artist's latest works examine the weaponization of noise and the politics of listening

time to read

9 mins

Issue 252 - June, July, August 2025

Frieze

Frieze

Ilê Sartuzi

During my visit to Ilê Sartuzi’s current exhibition, ‘Trick’, at Museu de Arte Contemporânea in São Paulo, an alarm went off, blaring for what felt like an eternity.

time to read

2 mins

Issue 252 - June, July, August 2025

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