KRISTINE NARVIDA

THE RELATIONSHIP BETWEEN CERTAIN PARTS OF THE WORK AND ITS ENTIRENESS EXCITES ME. I SHAPE MY SPACE OF SOLITUDE, AND THE WORK THAT EVOLVES LIVES ITS OWN LIFE, DEFIANTLY INDEPENDENT OF ME. I LIKE TO WONDER HOW COLORS HAPPEN AND TO MAINTAIN THE DIMENSIONS IN CONSTANT TENSION. THAT IS INSTANTANEOUS AWARENESS OF FULFILLMENT THAT CAN JUST AS INSTANTLY DISAPPEAR."

2SERIES THE STUDY OF ANNOYANCE LOOK HOW I MOVE

MY SEARCH INVOLVES CLEAR WHICH WHAT IS PRESENT ASKS FOR THE TRUTH. THE GAZE IS NOT A SIMPLE MOVEMENT OF EYES; IT REQUIRES KNOWLEDGE, EXPERIENCE, AND AN EXPLANATION. I GO THROUGH THIS PROCESS AND OVERCOME MYSELF, AND THIS LEADS TO THE CHOICE I HAVE MADE AND GIVES ME JOY AS A CREATOR."

THE STUDY OF ANNOYANCE

The study of annoyance - a study of aggravation is silence that becomes visible. The tension between language and the world where the existing demands its possibility and the impossible of its existence. This is a passionate look at the present, where the surface of things and the superficiality of people are so truly full of meaning and pain.

The search for context, the wish to escape, and the inability to do so. The introduction of bright block colors in the work of this series is a conceptual idea to find a path to identify and eliminate the unnecessary.

KRISTINE NARVIDA