The truth is that I like all white surfaces, whatever they are, a wall or a canvas; I have a particular passion for all the big ones that scare me.
I grew up in a neighborhood that used to be peaceful; today is known as a lawless zone. This allows me to understand and tame all the stress produced by the web; no subject or motif is known in advance about the white surface without touching it before starting to work.
Many of my paintings are born with a certain ease and others in pain, and for this, all the surfaces must be well prepared before I apply the first coat of paint that I call chaos, the genesis of all perfect order. Then I started listening to my mind while trying to figure out the drawing; the process can be long, depending on what was found first.
Anything that could leave a trace in the creative process is used, such as coffee grounds, markers, spray, oil sticks, and acrylic paint.
この記事は Art Market の The Gold List Special Edition #7 版に掲載されています。
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この記事は Art Market の The Gold List Special Edition #7 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
An Exclusive Interview With Guillermo Lorca
Guillermo Lorca García Huidobro is a well-renowned painter of classical oil. Early paintings have been successfully exposed and sold through important art exhibitions, including The Asprey Exhibition in London and the exhibition "The eternal life" in the most important museum in Chile.
IVONNE WAISSMANN
capturing beauty
Viktoria Ganhao
BETWEEN SUBTLE FIGURATION AND LYRICAL ABSTRACTION
Sandra van der Meulen
BALANCING CULTURE AND ROOTS
DAPHNE HOREV
My Microcosmos Self And Beyond
LĂCRĂ GROZĂVESCU
A STUDY OF TIME & MEMORY
JANINE SEELEN
IN BETWEEN
STANISLAV BOJANKOV
PERSONAL CULTURAL DNA
Ivan Kanchey
CERAMICS FOR THE SIGHTED AND THE BLIND
FRANK KORTAN
A World of Surrealistic & Fantastic Realism
