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A Love Supreme: Revinylization

Stereophile

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November 2023

Why is John Coltrane's A Love Supreme still so resonant nearly 60 years after it was recorded? Much to its credit, it's short (just over 30 minutes) and to the point.

- By Robert Baird

A Love Supreme: Revinylization

If you're going to raise a prayer of gratitude to a higher power and layer spiritual meaning onto music, best not belabor the point. In the case of A Love Supreme, that kind of brevity also extended to the recording process. The album was tracked in one day-December 9, 1964-by Rudy Van Gelder in his studio in Englewood Cliffs, New Jersey; Van Gelder also mixed the album. A composed (rather than purely improvised) four-part suite ("Acknowledgement," "Resolution," "Pursuance/Part 4," and "Psalm"), it exudes a certain hypnotic aura. It draws the listener in with an entrancing spirituality, its fealty to love and a higher power. Finally, the incisive, same-page playing of bassist Jimmy Garrison, drummer Elvin Jones, and pianist McCoy Tyner is almost supernatural.

Discogs lists 307 versions of

Stereophile からのその他のストーリー

Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

time to read

10 mins

February 2026

Stereophile

Stereophile

Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

February 2026

Stereophile

Stereophile

Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

February 2026

Stereophile

Stereophile

EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

time to read

16 mins

February 2026

Stereophile

RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

February 2026

Stereophile

Stereophile

Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

February 2026

Stereophile

Stereophile

Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

February 2026

Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

time to read

12 mins

February 2026

Stereophile

Stereophile

CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

time to read

16 mins

February 2026

Stereophile

Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

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