Blend In A Point Of Interest
N-Photo: the Nikon magazine|December 2018

James Paterson shows how to add a focal point using masks, blends and simple selection tricks

- James Paterson
Blend In A Point Of Interest

One of the most useful, and simple, 'rules' of photography is that every shot should have a subject. This is true whether you're shooting a portrait or a landscape. Even abstract photos work best when they have a point of focus — something to draw the eye to a certain part of the image.

Sure, all rules were meant to be broken, but having a subject to draw the eye can often lead to a stronger, more cohesive shot.

But what if there's no subject in sight? We've surely all come across beautiful scenes or gorgeous moments of light that don't have a point of interest, but we go ahead and shoot anyway. Like our starting photo here, the resulting image will probably be decent enough, but slightly bland.

この蚘事は N-Photo: the Nikon magazine の December 2018 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、8,500 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は N-Photo: the Nikon magazine の December 2018 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、8,500 以䞊の雑誌や新聞にアクセスしおください。

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