Reality's End

The current era of “fake news” may soon seem quaint. Video manipulation is eroding society’s ability to agree on what’s true—or what’s even real.

- Franklin Foer

 IN A DANK CORNER of the internet, it is possible to find actresses from Game of Thrones or Harry Potter engaged in all manner of sex acts. Or at least to the world the carnal figures look like those actresses, and the faces in the videos are indeed their own. Everything south of the neck, however, belongs to di­erent women. An artificial intelligence has almost seamlessly stitched the familiar visages into pornographic scenes, one face swapped for another. The genre is one of the cruelest, most invasive forms of identity theft invented in the internet era. At the core of the cruelty is the acuity of the technology: A casual observer can’t easily detect the hoax.

This development, which has been the subject of much hand-wringing in the tech press, is the work of a programmer who goes by the nom de hack “deepfakes.” And it is merely a beta version of a much more ambitious project. One of deepfakes’s compatriots told Vice’s Motherboard site in January that he intends to democratize this work. He wants to re‚ne the process, further automating it, which would allow anyone to transpose the disembodied head of a crush or an ex or a co-worker into an extant pornographic clip with just a few simple steps. No technical knowledge would be required. And because academic and commercial labs are developing even more-sophisticated tools for nonpornographic purposes—algorithms that map facial expressions and mimic voices with precision—the sordid fakes will soon acquire even greater verisimilitude.