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THE METAVERSE IS ALREADY HERE

Reason magazine

|

July 2022

HOW IS VIRTUAL REALITY REMAKING OUR WORLD?

- PETER SUDERMAN

THE METAVERSE IS ALREADY HERE

IT'S FAIR TO say that reality has a lot of problems. War. Famine. Disease. Taxes. Unwanted accumulations of pet hair. But if you look at the world through the eyes of some of the world's biggest tech companies, a deeper, more fundamental problem reveals itself: There just aren't enough holograms.

From the earliest days of the modern technology revolution the postwar rise of computers and connections that would eventually give us the internet and email and iPhones and Farmville-technologists and sci-fi writers have dreamed of a world with holograms: information and three-dimensional virtual objects floating in space around you, or entirely new spaces out of the digital ether that you can explore and interact with.

This was a multidisciplinary head-scratcher. It's easy to think of holograms as just an advanced display technology, like televisions and computer monitors. But it goes much deeper than that. To interact seamlessly with objects in three-dimensional space, even in the simplest way-say, turning your head to look at something from a different angle-requires the display not only to acquire information about the physical properties of your environment but to track what you are seeing and how, and then adapt accordingly.

The same is true of sound, which varies subtly based on factors such as the mass and texture of objects in your room as well as the tilt and location of your head. Your eyes and ears are sensors, detecting a vast amount of information about the world around you, which your brain then decodes, processes, and synthesizes in real-time. Add touch, and the sensory measurement challenges grow broader still. To create a world rich with virtual interaction, you'd need technology to track and measure the breadth of human perception.

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A Nostalgic Read for Foreign Policy Elites

IF YOU WERE looking for a human avatar of America's unipolar moment, you couldn't do better than Michael McFaul. Picture a youthful, energetic McFaul with a newly minted Ph.D. bounding into the suddenly post-Soviet space of the early 1990s, full of bright ideas about democracy and faith in the end of history. As McFaul himself puts it, 1991 \"was a glorious moment to be a democratic, liberal, capitalist, multilateralist, and American....I was treated like a rockstar.\"

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TRUMP IS DEPORTING ENTREPRENEURS

THE TRUMP ADMINISTRATION'S MASS DEPORTATION EFFORT IS ROBBING THE U.S. OF IMMIGRANT BUSINESS OWNERS AND THEIR CONTRIBUTIONS.

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The First Information Revolution

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What Would Bill Buckley Do?

THE NATIONAL REVIEW FOUNDER'S FLEXIBLE APPROACH TO POLITICS DEFINED CONSERVATISM AS WE KNOW IT.

time to read

7 mins

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MAHA Mandates Food Labels

BURDENSOME FOOD LABELING mandates were once the province of Democrats, who pushed for calorie count requirements on restaurant menus and insisted packaged food must feature warnings about genet- ically modified ingredients and trans fats. Now it's Republicans leading the charge- with equally foolish results.

time to read

2 mins

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IS JAKE TAPPER DOOMED?

THE CNN ANCHOR ON THE WAR ON TERROR, THREATS TO FREE SPEECH, AND THE FUTURE OF MEDIA

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14 mins

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REPUBLICAN SOCIALISM

THE TRUMP ADMINISTRATION IS BUYING STAKES IN COMPANIES. THAT NEVER ENDS WELL.

time to read

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A Taste of Capitalism in Warsaw

WARSAW, POLAND, IS a living museum of economic systems. It's a city where concrete reliefs of stoic factory workers decorate a building that now houses a Kentucky Fried Chicken, where a Soviet-era apartment block stands beside a glass tower filled with coworking spaces.

time to read

2 mins

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Robert Crumb's Roving Art and Life

IN THE SPRING of 1962, an 18-year-old Robert Crumb was beaned in the forehead by a solid glass ashtray. His mother, Bea, had hurled it at his father, Chuck, who ducked. Robert was bloodied and dazed, once again a silent and enraged witness to his family's chaos.”

time to read

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THE HOWARD ROARK OF COMICS

SPIDER-MAN CO-CREATOR STEVE DITKO WAS A GREAT EXAMPLE OF, AND DIRE WARNING TO, OBJECTIVIST POP ARTISTS.

time to read

12 mins

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