試す 金 - 無料
Made To Measure
Guitarist
|Summer 2019
We consider the pros and cons of buying a guitar from a small independent maker. It’s not for everyone…
Many of us wince when we see guitars with four-figure price tags, let alone when those four figures start to become a very noticeable chunk of your annual earnings. And yet you don’t have to look very far at the mainstream electric market from key players – such as Gibson’s Custom division, PRS’s upper-level core models (let alone its Private Stock division) and, increasingly, Fender’s Custom Shop – before £3k to £5k seems the going rate. But around and above that is a whole level of über-guitar, invariably made in small workshops by solo makers or small teams where that sort of figure might barely get you entry. This is a different and well-established world centered firmly on the art and craft of guitar making, and about as far as you can get from the factory-build business model with its distribution and retail mark-ups.
Once known as ‘custom’ guitar makers, individuals would invariably ply their trades repairing, refretting, refinishing and creating the occasional new build; others would concentrate on new builds, their own designs or replicas of more classic designs. And while many custom makers have turned into large-scale concerns, just as many have returned to their roots.
So, why would you want to enter this world? The first reason is quite simply because you can’t find a guitar of the style, specification, and quality you want. You might want to add your own flourish (or even discuss a completely new design/ concept with the maker) that the bigger custom shops won’t entertain. Some makers are certainly more ‘custom’ than others, although the choice of woods, hardware, finishes, and inlays – not to mention more specific things such as fingerboard radius, fret size and neck dimensions – will be wider than most high-end mainstream builders. In many cases, you’ll be able to choose the exact woods that will make up your instrument.
このストーリーは、Guitarist の Summer 2019 版からのものです。
Magzter GOLD を購読すると、厳選された何千ものプレミアム記事や、10,000 以上の雑誌や新聞にアクセスできます。
すでに購読者ですか? サインイン
Guitarist からのその他のストーリー
Guitarist
GEAR of The YEAR
THE BEST GUITARS, AMPS & PEDALS OF 2025
4 mins
January 2025
Guitarist
All Aboard
Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous
5 mins
January 2025
Guitarist
CONTROL SHIFT
The XS-100 and XS-1 pitch shifters set out to give modern players dominion over the wildest effect on the pedalboard. Boss's Matt Knight tells us more
7 mins
January 2025
Guitarist
The King's Head
The bombastic benchmark of the 'brown' sound has been channelled through a singleended EL34 power section and hybrid preamp, with significant volume and price savings
4 mins
January 2025
Guitarist
Fretbuzz
A monthly look at must-hear artists from all corners of the guitar world, from the roots of their sound to the tracks that matter most
2 mins
January 2025
Guitarist
Go Getter
Blackstar's palm-sized audio interface is a godsend for players who want better audio on their phone-recorded videos
2 mins
January 2025
Guitarist
FLOOR AMPS & MULTI-EFFECTS
This year's new tech puts a world of effects at your feet
1 mins
January 2025
Guitarist
Affordable Flight
With plenty already in the line-up, Gretsch has released a new range of both Electromatic and Streamliner Jets that appear modern- aimed and very affordable. What's new?
4 mins
January 2025
Guitarist
DELAY & MODULATION EFFECTS
Electro-mechanicals revisited, analogue modulation refined and esoteric ambiences combined
1 mins
January 2025
Guitarist
1967 Gibson Barney Kessel
This isn't a guitar I would normally choose for an article, but I think it demonstrates just how extreme Gibson's custom division was prepared to get in order to make a customer happy back in the day.
3 mins
January 2025
Translate
Change font size
