Out Of Reach
“My father played the guitar, but he wouldn’t let me touch his. I think, because of that, I wanted to play it even more. That was the impetus, really: what is it about this thing that means I’ve got to stay away from it? I found my first guitar in a pawn shop. It cost three pounds and I said to my mum, ‘Can I have it?’ She said, ‘Well, we haven’t got the money, but if they’ll swap these two prams for it, you can have it’. I’ve still got that guitar. It’s a big-bodied, no-name guitar and I just started learning on that. And I’ll tell you something else. My father used to hide his guitar on the top shelf down in the cellar, which had a really heavy iron door on it, like one of those doors you see on great big bank safes. When we moved, he left his guitar there. He forgot it!”
Ain’t Nobody
“From there, I just started writing my own songs, either on the guitar or on the piano that my mother bought for the front room, which was a great piece of furniture. Everything I did back then was self-taught. I wasn’t buying any records and I wasn’t going to any gigs. So there wasn’t an ‘anybody’ playing the guitar to influence me – apart from my father, who didn’t want me to play it! Later on, once I’d got into the guitar, then there were so many guitarists that I think are fantastic. I think Mark Knopfler is one of the best guitarists ever. I love Leslie West. Jimmy Page is great. You know, there are so many great guitarists – but none of them started me off. I just did my own thing and came to those guitarists much, much later.”
FOR THE ROSES
Ivison Guitars has only been in business for six years, but its Dakota model has already headlined Glastonbury with Guns N’ Roses star Richard Fortus. We meet founder Neil Ivison to find out how he's making new electrics that evoke the raw spirit of retro tone
HISTORY REPEATING
Gibson's highest-tier replicas of famous Les Pauls are commanding almost as much as vintage guitars these days. We find out what all the fuss is about and examine a rare recreation of Jimmy Page's fiendishly complex #2 Les Paul Standard
WHAT THE WORLD IS WAITING FOR
Off the radar since The Stone Roses reunion burnt out - and largely absent from the studio for two decades - John Squire's collaboration with Liam Gallagher reclaims his place among the greats. He invites us to his studio to talk classic riffs, career-ending injuries, getting snubbed by Gibson, and why music keeps pulling him back in
TELL ME STRAIGHT
Keith Richards, the legendary master of the ageless riff, talks about the magic and loss of Hackney Diamonds, the sparkling new Rolling Stones album
DENNY LAINE 1944-2023
Multi-instrumetlist, singer-songwriter Denny Laine died at the end of last year after a career that saw him top the charts in both The Moody Blues and Wings
Vibe 'n' Drive
Eventide's latest dot9 series pedal combines two independent effects for some classic vintage-rock sounds
Face Lift
Flattley releases an upgraded 1960s-style silicon fuzz with a buffer and extended tonal options
Air Supply
Boss's new Katana addition pumps up the volume - suited to serious players looking for a compact, wireless amp solution
Standard Shimmers
Back in 2023, revitalised Brit-maker PJD rejigged its range to start with the new solidbody hardtail Standards. Need a vibrato? No problem: here comes the Standard Plus
Golden Brown
Last year we were mightily impressed when we looked at builder Rich Jones' Parlour and Orchestra acoustics. This time it's the turn of his entry-level, all-mahogany dreadnought