FOR DECADES, ENGINEERS have used micro-pitch shifting to create detuned delays, chorusing, modulation and stereo widening. The effect began in the mid-1970s as an untended consequence of the then-new Eventide H910 Harmonizer, whose clocking mechanism would flicker between two pitch ratios. By placing two units in parallel, studio engineers found they could use the anomaly to achieve a rich stereo spread. The H910’s successor, the H949, had improved clocking and used techniques to produce more precise deviations in pitch, helping further establish micro-pitch shifting as a production tool.
この記事は Guitar Player の July 2021 版に掲載されています。
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この記事は Guitar Player の July 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
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