So, you’re shooting for Khaali Peeli. How did the film come about and what was your reaction when you read the script?
I didn’t read the script first. I was narrated the film by my director and my first reaction was a very instinctive one. I thoroughly enjoyed hearing the film, especially from him. It was one of those films where I didn’t think and I was just excited to experience this world and to be a part of this story. And it came to me after a very long time. I haven’t reacted to something like that in over a year and half. It was a very welcoming feeling and, like I said, it was a very spontaneous reaction and I knew I wanted to do it.
What about the film really excited you?
The character, the world, the story and the grasp that the director had on his characters and his story — like he knows this world. Like he is that guy. It was very exciting and engaging.
Do you have a game-plan for your career?
I really don’t (laughs). The game-plan . . . it’s the aspiration to get better with every film and every job that I do. So yeah, I mean I really love this with all my heart. It’s a pure thing so I don’t really know how to strategize through it and all. The only way to do this is to do my best and give my 100 percent, which I do.
Are there any film-makers you are looking forward to working with?
There are so many. There are film-makers whose work I come across every day. I watched a Lebanese film recently by Nadine Labaki, who I think is perhaps one of the most amazing film-makers today. For years and years, I have harboured the desire to work with India’s top directors like Imtiaz Ali, Sriram Raghavan and Zoya Akhtar. There are fantastic film-makers like Raju Hirani sir, Sanjay Bhansali sir and I’d love to work with them.
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