WRITING in COUNTRY LIFE (April 3/10, 1997), the magazine’s former Architectural Editor the late Giles Worsley referred to stately Grade I-listed Trafalgar Park, near Salisbury, Wiltshire, as ‘the Flying Dutchman of the property world, endlessly seeking an owner and being sold on while the fabric slowly decayed’. The fine country house built by John James of Greenwich in 1733 for City grandee Sir Peter Vandeput was nevertheless described as ‘an estate agent’s dream, a house that always seemed to come back on the market’.
Sir Peter died in 1748 and, four years later, Standlynch Park and its surrounding estate were bought by William Young, later Governor of Dominica, and sold by him to Henry Dawkins MP, who added the north and south wings designed by John Wood the Younger of Bath. Dawkins also commissioned his friend and fellow member of the Society of Dilettanti, Nicholas Revett, a founding member of Britain’s Greek Revivalist movement, to design the portico, interiors for the north wing and a number of chimneypieces. He then commissioned fashionable Italian painter and engraver Giovanni Battista Cipriani to paint the scenes in his music room, now known as the Cipriani Room. Following Dawkins’s death in 1814, the Standlynch Park estate was bought by the Crown on behalf of the Nelson family as reward for the Admiral’s victory at Trafalgar in 1805. Horatio Nelson having died in the battle, Standlynch Park, renamed Trafalgar House, its estate and a substantial pension were settled on his brother, William, an unassuming Norfolk clergyman who was created 1st Earl Nelson. Enriched by marriage and inheritance, his successors expanded the landholdings to 7,196 acres by 1884.
Don't rain on Venus's parade
TENNIS has never been sexier—at least, that is what multiple critics of the new film Challengers are saying.
A rural reason to cheer
THERE was something particularly special for country people when one of the prestigious King’s Awards for Voluntary Service was presented last week.
My heart is in the Highlands
A LISTAIR MOFFAT’S many books on Scottish history are distinctive for the way he weaves poetry and literature, language and personal experience into broad-sweeping studies of particular regions or themes. In his latest— and among his most ambitious in scope—he juxtaposes a passage from MacMhaighstir Alasdair’s great sea poem Birlinn Chlann Raghnaill with his own account of filming a replica birlinn (Hebridean galley) as it glides into the Sound of Mull, ‘larch strakes swept up to a high prow’, saffron sail billowing, water sparkling as its oars dip and splash. Familiar from medieval tomb carvings, the birlinn is a potent symbol of the power of the Lords of the Isles.
Put it in print
Three sales furnished with the ever-rarer paper catalogues featured intriguing lots, including a North Carolina map by John Ogilby and a wine glass gibbeting Admiral Byng, the unfortunate scapegoat for the British loss of Minorca
The rake's progress
Good looks, a flair for the theatrical and an excellent marriage made John Astley’s fortune, but also swayed ‘le Titien Anglois’ away from painting into a dissolute life of wine and women, with some collecting on the side
Charter me this
There’s a whole world out there waiting to be explored and one of the most exciting ways to see it is from the water, says Emma Love, who rounds up the best boat charters
Hey ho, hey ho, it's off to sow we go
JUNE can be a tricky month for the gardener.
Floreat Etona
The link with the school and horticulture goes back to its royal founder, finds George Plumptre on a visit to the recently restored gardens
All in good time
Two decades in the planning, The Emory, designed by Sir Richard Rogers, is open. Think of it as a sieve that retains the best of contemporary hotel-keeping and lets the empty banality flow away
Come on down, the water's fine
Ratty might have preferred a picnic, but canalside fine dining is proving the key to success for new restaurant openings in east London today, finds Gilly Hopper