Dhritiman Chatterjee, a post-graduate in economics, came from a world outside of cinema, yet made an impressive debut in the first film in Satyajit Ray's Calcutta trilogy, Pratidwandi.
He played Siddhartha Chaudhuri, forced by his father's sudden demise to quit his studies and hit the streets of Kolkata in search of a job that eludes him.
Unwilling to compromise like his sister or be radicalized by Left politics like his brother, Siddhartha eventually leaves the city to settle for a future with perhaps no ambitions or aspirations.
Surprisingly, even though Siddhartha Chaudhuri is more of a passive spectator than a raging crusader and explodes just once, Dhritiman Chatterjee was typed as the urban, angry, young man, a tag he has shrugged off in the five decades since.
The actor rewinds to his first tryst with the camera as the digitally restored Pratidwandi gears up for screening at the 75th Cannes film festival.
"My performance was well received and Ray's gamble of casting a first-time actor even a non-actor in the sense that after Pratidwandi, I went back to working outside of cinema -- paid off," Chatterjee says, long-distance from Goa, where he has a second home, admitting that he would have been happy to present the cult film at Cannes.
What were the reactions to Pratidwandi when it was released on October 27, 1970?
Well, it was a long time ago -- 52 years to be precise -- but I recall that family, friends, and even the general public sat up and took notice because it was a very different film for Satyajit Ray.
Stylistically, it was a departure from his usual classical style, far more technical with freezes, jump cuts, and hand-held camera shots.
Those familiar with international cinema would know these filming techniques from French New Wave which predated Pratidwandi.
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'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
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'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
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Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
âPadmini and are very different people.â Our acting styles are very different. She's from a different era.â
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
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It is only fair that being around the industry has to rub off on its children.