She paved her way into films with Anurag Kashyap’s critically acclaimed Raman Raghav 2.0 in 2016. In 2017, she starred in Chef with Saif Ali Khan and then in Kaalakaandi in 2018, ratifying that she didn’t fancy the formulaic. The same year her Telugu actioner, Goodachari, turned into a blockbuster. She took the digital space by storm with Made In Heaven, centred on wedding planners. Her act as Tara Khanna, delves into shades of grey against the colours of celebration. More recently, she played a spy in the Bard Of Blood, a role she refers to as being gender-free. The thriller The Body and Nivin Pauly’s Moothon are in the pipeline.
“I want to throw myself into the ocean and watch myself swim to the shore,” says the gutsy girl from small-town Vishakapatnam, whose dreams are no longer small…
How did you bag Zoya Akhtar’s Made In Heaven (MIH)?
I was first called for an audition. A month later I was called for a look test where I met Nitya Mehra (writer) and Zoya Akhtar. Zoya had seen me in Raman Raghav 2.0. We had also worked on commercials two years ago. She believed I’d do well in the series. The fact that it was a digital web series was a bit confusing for me. But I’d heard Anurag Kashyap was making Sacred Games with Saif Ali Khan, which gave me some assuarnace that there was future on this platform. Once I read the script, all the doubts vanished.
How has life changed after MIH?
I’m still the same person. My sense of security and confidence is the same. I’ve always been assured about my choices. Because they weren’t choices with any agenda - ki yeh karne se kya milega. The thrill comes from the work and not from the result. The success was a pleasant surprise but I’m not charmed by the idea of being popular. I want to be inspired and feel that fire.
Are marriages really made in heaven?
この記事は GLOBAL MOVIE MAGAZINE の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は GLOBAL MOVIE MAGAZINE の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
'Women don't have to only sing and dance'
'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
'I AM BRAHMA, VISHNU, MAHESH!'
Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
‘Padmini and are very different people.’ Our acting styles are very different. She's from a different era.’
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
'EVERYBODY REJECTED ME'
It is only fair that being around the industry has to rub off on its children.
