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ZBBZ 《早报报志》 - Art Issue

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ZBBZ 《早报报志》 Description:

出版社: SPH-Media-Limited

カテゴリ: Lifestyle

言語: Chinese - Simplified

頻度: Monthly

ZBBZ is the latest addition to the Zaobao family of publications. ZBBZ stands for Zaobao Bao Zhi 《早报报志》, where “Bao Zhi" is a portmanteau of the Chinese words for "newspaper" and "magazine". The publication combines the intelligence of newspaper journalism with the sophistication of magazine design.

Launched in 2009, ZBBZ is a high-end bilingual (English & Chinese) luxury magazine for the affluent and high-achieving reader who appreciates intelligent journalism and the finer things in life. To advertisers, ZBBZ is an excellent publication for anyone aiming at a readership of high net worth individuals. Readers can choose to read a story in Chinese or English or both. The “news-gazine" endeavours to offer readers an engaging reading experience in whichever language he or she chooses, but one does not replicate the other in content.

ZBBZ aims to inspire readers to embrace new horizons, to make things happen, and to celebrate new ways of looking at life, through the eyes of those walking a few steps ahead.

ZBBZ is spearheaded by Managing Editor Dr Ng King Kang, who is also a senior correspondent with Lianhe Zaobao.

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ART 水墨论道 Philosophies In Ink 只要有水的地方就有华人，只要有华人的地方就有水墨。《早报报志》在北京访问了邱志杰和黄冰逸，在新加坡访问了郑木彰，他们正处在艺术创作的旺盛期，以独有的方式推动着现代水墨的发展。 Where there is water, there are Chinese people. And wherever the Chinese are, there is ink. ZbBz caught up recently with Chinese ink artists Qiu Zhijie and Huang Bingyi in Beijing, and Tay Bak Chiang in Singapore.
Art Beyond Fashion 香奈儿的艺生艺世 Coco Chanel lived a life surrounded by artists, musicians, writers, ballerinas and movie stars in an energetic circle of inspiration that benefited all who belonged 香奈儿一生与艺术和艺术家结下不解之缘，曾多次为芭蕾舞剧、电影设计服装，也无数次和艺术家合作，启发他们，并从他们身上汲取灵感。
One Voice 不想回家 Conceptual artist Lim Tzay Chuen left for Beijing after the Venice Biennale, disillusioned with the state of affairs in the Singapore art scene, and ponders the need to return 在北京生活了八年的林载春选择留在异地，因为他对本地艺坛感到幻灭，深怕艺术已成为用来展销新加坡的博览会。