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ArtReview Asia - Winter 2021

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ArtReview Asia

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The Winter issue of ArtReview Asia focuses on relationships between power and geography in the work of artists tackling tradition through subversions of cultural and political positions. Texts include an examination of the ruptured relationship between the Aboriginal Yolngu people of Australia’s Northern Territory and Macassan fisherfolk; Bangkok-based filmmaker Taiki Sakpisit’s use of cinema to unpack Thailand’s troubled past; pioneering documentary filmmaker Haneda Sumiko’s subtle negotiations of urban and rural life in postwar Japan; and Cian Dayrit’s ‘counter-cartographic’ reframing of the ideals of history and heritage in his native Philippines.

ArtReview Asia Description:

Launched in May 2013 and published quarterly, ArtReview Asia brings the values

of ArtReview to the artistic production of the world’s largest and most diverse

continent.

With its headquarters in Shanghai, and associate editors and contributors

spread across the continent, ArtReview Asia covers art from both the West and

the East, and a few places in between, and targets readerships based in Asia and

those with an interest in Asia’s art scenes worldwide. ArtReview Asia’s writers

include some of the leading critics and fiction writers in the region, among

them awardwinning Thai writer Prabda Yoon and leading Tamil writer Charu

Nivedita. Reviews have an emphasis on shows in Asia or by artists from Asia,

and the majority of ARA’s writers and critics are based in the territories they

cover. As Asia’s art scenes evolve and develop to include some of the most

commercially successful and internationally exhibited artists on the planet,

ArtReview Asia aims to provide a central and independent platform upon which

those contributions can be evaluated and discussed, without restraint or

restriction, and in full consciousness of the ideas and contexts in which they

have evolved. ArtReview Asia is uniquely placed to analyse art produced in Asia

in the context of both local specificities and the global art discourse.

In keeping with ArtReview’s core goals, ArtReview Asia is also dedicated to

exploring the ways in which ideas developed by artists are absorbed by other

cultural genres, from fashion and film to architecture and design. Artists,

however, are at its heart: previous editions have featured collaborations with

both the continent’s leading figures and its hottest new talents – from Rirkrit

Tiravanija to Yuko Mohri, from Lee Bul to Haegue Yang and Apichatpong

Weerasethakul, from Heman Chong to Birdhead, Waqas Khan, Chim Pom,

Yang Fudong and Koki Tanaka.

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