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Moon 891

Stereophile

|

January 2025

No less than eight boxes, powered by six after-market power cables, comprise my current reference front-end.'

Moon 891

STREAMING PREAMPLIFIER

As much as separate boxes can afford superior isolation and provide far more room for visionary engineers to work their magic, the advantages of a single box, which requires a single power cable and far fewer after-market interconnects, are obvious.

Enter Simaudio's Moon 891 network player/preamplifier ($25,000). Also called a "streaming preamplifier"-Simaudio frequently struggles with how to clearly and succinctly brand its Moon products-it includes a DAC that converts PCM and MQA files up to 32/384 (with 24-bit files upconverted to 32-bit) and DSD files up to 256. It also includes what Simaudio company co-owner Costa Koulisakis describes as "a fully configurable" MC/MM phono stage. Both theoretically and practically, it's an ideal solution for someone with space and/or budget constraints.

The 891 is also potentially a good match for the excellent Moon 861 stereo amplifier ($22,000). (I reviewed a bridged pair of 861s last month and used them in this review.) Although the 891 has no internal storage, it can play files from streaming services, a directly-attached NAS, or a USB stick. The MIND 2 built into the 891 has a large buffer so caching of content is done during playback to address latency issues, dropouts, and other network instabilities. The buffer is automatically cleared when the 891 is turned off. Its brightness-controlled digital display, which can adapt to the lighting in the listening environment or be turned off completely during playback, is very up to date, with full-color album covers, titles, track names, and volume level visible to this audiophile from 12' away. (It also displays active input and the digital input's sample rate.) Adjustability includes two screen-saver styles, which can be disabled. Firmware updates are easily downloaded and installed from the internet.

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In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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TWO-CHASSIS LINE PREAMPLIFIER

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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