मैगज़्टर गोल्ड के साथ असीमित हो जाओ

मैगज़्टर गोल्ड के साथ असीमित हो जाओ

10,000 से अधिक पत्रिकाओं, समाचार पत्रों और प्रीमियम कहानियों तक असीमित पहुंच प्राप्त करें सिर्फ

$149.99
 
$74.99/वर्ष

कोशिश गोल्ड - मुक्त

Estelon X Diamond Mk II

Stereophile

|

January 2025

Taste is a funny thing. Love cilantro? Millions swear it tastes like soap.

Estelon X Diamond Mk II

LOUDSPEAKER

Similarly, design cognoscenti will gush over a minimalist Scandinavian sofa that others dismiss as just a pricey plank with delusions of grandeur.

There's no accounting for taste, or so the truism goes. But arguing over preferences is exactly what many audiophiles do. Similarly, Stereophile reviewers are all about parsing and evaluating sound, and how a product looks isn't usually a big part of the equation. But I'll buck that convention and say that the radically shaped Estelon X Diamond Mk IIs aren't just the most visually sublime speakers I've laid eyes on; they ought to be part of the Cooper Hewitt Museum's permanent collection. Or MOMA's.

Got to be good looking

If the Estelons looked instead like upright coffins but sounded the same, I'd still praise them without reservation. But the sculpted shape-Brancusi meets Botero-is a big part of why I'm so smitten.

imageNow, I like shiny things, but I've heard and seen a hundred speakers with glossy automotive paint jobs that made them look merely attractive. Part of what puts the Estelon X Diamonds in a different category is in how the glasslike finish combines with its curves. A third component, light, makes the whole thing very nearly magical. Watch as both window light and floor lighting throw elongated vertical reflections along the floorstander's sloping, rounded flanks. When you move (or as the sun does), those lines change too, subtly and beautifully. There's also just something right about this design, in the way that a dolphin or a Fibonacci spiral is pleasing to look at. Modern technology has imposed an environment on all of us that's built from angles and other geometric shapes. The Estelons, by contrast, look organic, as if they weren't just engineered and constructed, but live-born at the same time.

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In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Sticking with it

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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