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Blaming Bill Buckley

Reason magazine

|

December 2024

IT'S THE CLEANEST, neatnest [sic] operating piece of social machinery I've ever seen. It makes me envious." When Rexford Tugwell, an adviser to President Franklin Roosevelt, wrote these words in 1934, he was not referring to the New Deal programs in his purview.

- PHILLIP W. MAGNESS

Blaming Bill Buckley

He was recording his thoughts on fascist Italy while awaiting an audience with Benito Mussolini. Tugwell reacted with similar awe upon touring the Soviet Union in 1928, penning an essay urging Americans to reflect on what they might adapt from Josef Stalin's "experiment." For progressive historians who depict the New Deal as a "democratization" of the economy, Tugwell creates an unsettling complication. So do the many other leftist intellectuals who turned to the illiberal regimes of interwar Europe as models of economic planning. When conservative writer Jonah Goldberg assembled those episodes in his 2007 book Liberal Fascism, he struck a raw nerve with progressives.

Taking America Back-a book from Yale University Press by David Austin Walsh, currently a postdoctoral researcher at Yale-emerged from a decadeslong fit of spite over Goldberg's explorations of the undemocratic left.

Walsh's monograph is an oddity. It mainly consists of scattershot vignettes about the racist and antisemitic figures who hovered around the American far right of the mid-20th century. The closest the text comes to a thesis statement is this: "All of the principal protagonists in this book-Merwin K. Hart, Russell Maguire, George Lincoln Rockwell, Revilo Oliver, Pat Buchanan, and Joe Sobran-have something in common," he writes. "They were all connected in some way to William F. Buckley, Jr." Walsh views Buckley, the "respectable" founder of National Review, as an arms-length partner of the aforementioned "crackpots" in what he dubs a conservative "popular front" against Roosevelt's policies. As in many works of this genre, the New Deal never faces meaningful interrogation. Its policy prescriptions are seen as obvious "democratic" correctives to capitalist excesses; the only conceivable motive for opposing it, Walsh apparently believes, is the reentrenchment of wealth and power.

Reason magazine से और कहानियाँ

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IF YOU WERE looking for a human avatar of America's unipolar moment, you couldn't do better than Michael McFaul. Picture a youthful, energetic McFaul with a newly minted Ph.D. bounding into the suddenly post-Soviet space of the early 1990s, full of bright ideas about democracy and faith in the end of history. As McFaul himself puts it, 1991 \"was a glorious moment to be a democratic, liberal, capitalist, multilateralist, and American....I was treated like a rockstar.\"

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WARSAW, POLAND, IS a living museum of economic systems. It's a city where concrete reliefs of stoic factory workers decorate a building that now houses a Kentucky Fried Chicken, where a Soviet-era apartment block stands beside a glass tower filled with coworking spaces.

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Robert Crumb's Roving Art and Life

IN THE SPRING of 1962, an 18-year-old Robert Crumb was beaned in the forehead by a solid glass ashtray. His mother, Bea, had hurled it at his father, Chuck, who ducked. Robert was bloodied and dazed, once again a silent and enraged witness to his family's chaos.”

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THE HOWARD ROARK OF COMICS

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