मैगज़्टर गोल्ड के साथ असीमित हो जाओ

मैगज़्टर गोल्ड के साथ असीमित हो जाओ

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Strength In Depth

Prog

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Issue 160

Robin Armstrong has been creating thinking-persons's music asCosmograf since 2008, and his latest album, The Orphan Epoch, continues to explorethemes of disillusionment and a refusal toconform. The multiinstrumentalisttellsProg about its creation,ruffling feathers and the double-edged sword of a solo project.

- Words: Chris Wheatley Image: Fotozoomi Photography

Strength In Depth

Robin Armstrong has been delivering Cosmograf’s fine music for the best part of 20 years. Now he’s back with a new exciting approach and The Orphan Epoch — an album that’s set to shake things up and reset the balance.

“I do have a bit of subversive spirit,” says Armstrong, with a wry smile, “in terms of ruffling the feathers of the sometimes dusty prog rock world.”

We're talking about one particular song on the new album, Seraphim Reels — a wonderfully atmospheric downtempo number that periodically explodes into bursting clouds of emotion. It’s a beautiful example of the joy to be found in matching different tones against each other, in this case delicate piano, soaring guitar and, strikingly, smoky saxophone.

“The track itself is a bit of double-edged sword,” he adds. “Dare I say, it’s got a bit of Coldplay vibe in places, which I really like, but then it’s got a Floyd guitar solo thing going on. I’m fascinated to see how that ‘one’s going to go down.”

This is a strength of The Orphan Epoch, and Cosmograf’s music in general; Armstrong isn’t afraid to challenge preconceptions.

He’s a dedicated and thoughtful musician with an meticulous approach, qualities that are perfectly suited to his side-hustle of repairing timepieces.

Although Cosmograf has been a going concern since 2008, Armstrong has been playing since he was 14: “Pye never really known whether I prefer the keyboard or the guitar,” he says. “I’ve struggled to constrain myself to one thing. I’m always drawn to something new.”

This eclecticism provides a clue to his music’s appealing blend of ideas. Armstrong's first loves were Queen, Black Sabbath, and especially Deep Purple.

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Released 20 years ago, Porcupine Tree's Deadwing was the album that Lava Records hoped would turn over a profit. Although things didn't quite work out that way, the band's eighth studio record did raise their profile and launch them to American audiences. Steven Wilson, Gavin Harrison, Lava's Andy Karp and scriptwriter Mike Bennion reflect on the journey that took Porcupine Tree from playing to 30 people to filling 1,500-capacity venues and even scoring a ride in Neil Peart's Aston Martin.

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Finnish progressive metal veterans Amorphis are 15 albums into a career like few others. As the band release Borderland, bassist Olli-Pekka Laine tells Prog, the nexus of death metal and neo-prog is a truly strange place to be.

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On her seventh album, Welsh art-rocker Cate Le Bon has returned to her homeland after a period of living in California. On the emotional Michelangelo Dying, she comes to terms with a broken heart and even teams up with fellow countryman John Cale. The singer-songwriter tells Prog about what she refers to as her \"necessary exorcism\" and why she's looking forward to playing her new songs live.

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When Crown Lands found themselves without a label, they immersed themselves in total creative freedom, magic mushrooms and 80s King Crimson. The result is a widescreen three-album arc, starting with two psychedelic meditation records: Ritual I and Ritual II. Prog catches up with the duo to find out more about their epic prog dreams.

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After a successful comeback in 2024, Be Prog! is expanding carefully. Now set in a sci-fi-styled corner of the Poble Espanyol museum, organisers have added four extra bands and upgraded the food and chill-out zones. Across 12 colourful sets, the atmosphere at Catalonia's premier prog gathering is joyous.

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Hand of Fate

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