कोशिश गोल्ड - मुक्त
What WORDS Are FOR
Harper's BAZAAR - US
|December 2024 - January 2025
We have been LIVING in “UNPRECEDENTED TIMES" for 25 years. KAITLYN GREENIDGE reflects on what it means to write through a NEW REALITY.
I remember waking up on the morning of November 8 in the year 2000 and heading to work. I had dropped out of college after my freshman year, moved to Juneau, Alaska, and taken a job at a day-care center. I heard my coworkers whispering to each other during nap time. "Can you believe it?" one said to the other. "I can't believe it." "I know," I said excitedly. "It's crazy, but it's gonna be Gore, right?" The women looked at each other, looked at me, and didn't answer. They walked away to check diapers, and no one spoke about politics around me for the rest of the time I was there.
In hindsight, I probably should have known. The day care played nothing but VeggieTales, and when I would look for books to read to the kids for story time, there were only kids' versions of Bible myths. I had moved to Alaska because I wanted to experience something different. I had arrived on the last ferry of the season with a little less than $800, with no idea where to stay and knowing only one person. I think I was almost daring myself to fail. My life before this had been defined by the knife-edge anxiety of poverty. I had been my high school's valedictorian but wasn't allowed to officially graduate because my mother had to decide between paying a $100 school fee or our electric bill. In the end, the rich woman who funded the family therapy clinic my mom worked for paid the bill. At least in this version of reality, if I failed and no safety net caught me, it would be on my own terms.
Alaska was the first time I had lived around anyone other than Massachusetts liberals. That experience in high school, plus the thousand other ways that even liberals make you feel worthless if you are poor, had made me give the whole blue state the side-eye. So I went as far as I could from it without a passport. Alaska was, though I did not know it then, my first glimpse of the future, of how we would all be forced to live now.
यह कहानी Harper's BAZAAR - US के December 2024 - January 2025 संस्करण से ली गई है।
हजारों चुनिंदा प्रीमियम कहानियों और 10,000 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।
क्या आप पहले से ही ग्राहक हैं? साइन इन करें
Harper's BAZAAR - US से और कहानियाँ
Harper's BAZAAR - US
Wildest DREAMS
There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences
2 mins
November 2025
Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
2 mins
November 2025
Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
6 mins
November 2025
Harper's BAZAAR - US
LIGHT Show
LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.
5 mins
November 2025
Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
2 mins
November 2025
Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
6 mins
November 2025
Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
10 mins
November 2025
Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
10 mins
November 2025
Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
1 min
November 2025
Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
1 min
November 2025
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