कोशिश गोल्ड - मुक्त

RAMBLING MAN

The New Yorker

|

October 20, 2025

Peter Matthiessen's quest to escape himself—at any cost.

- BY MAGGIE DOHERTY

RAMBLING MAN

On November 20, 1959, at a pier in Brooklyn, the writer Peter Matthiessen boarded the M.V. Venimos, a freighter bound for Iquitos, a port town deep in the Peruvian Amazon. He was fresh off the publication of “Wildlife in America,” a travelogue-cum-polemic that lavished attention on the endangered species of North America, indicted the humans who had destroyed their habitats, and established Matthiessen as a nature writer in the tradition of Henry David Thoreau and John Muir. Now he was ready for wilder climes. As Matthiessen stepped across the ship’s gray deck, the writer William Styron, his close friend, looked on with admiration.

Matthiessen liked peril; one could even say he courted it. In the course of a long literary career, during which he wrote thirty-three books and was celebrated for both his fiction and his nonfiction, he travelled to places most writers would never dare to go. He flew through thick fog across the Bering Sea in pursuit of musk oxen. He accompanied a crew of Caymanian turtle hunters on a barely seaworthy schooner. He roamed solo across the Serengeti, dodging predators and scrutinizing dead prey. Most memorably, in 1973, he accompanied the famed field biologist George Schaller on a late-autumn hike in the Dolpo Mountains of Nepal. Schaller was looking for rare Himalayan blue sheep; Matthiessen was looking for enlightenment, which he compared to the elusive snow leopard, sensed but seldom seen. The book that resulted from this trip, “The Snow Leopard” (1978), won Matthiessen the first of two National Book Awards.

The New Yorker से और कहानियाँ

The New Yorker

The New Yorker

Amanda Petrusich on Katy Grannan's Photograph of Taylor Swift

There’s something uncanny about this still and stunning portrait of a twenty-one-year-old Taylor Swift, shot by Katy Grannan for Lizzie Widdicombe’s Profile of the singer, in 2011.

time to read

1 mins

January 12, 2026

The New Yorker

The New Yorker

DEAL-BREAKER

Pam is seeing someone, but she’s not talking about it.

time to read

19 mins

January 12, 2026

The New Yorker

THE OTHER BOOMERS

Kathryn Bigelow, the director, and Alexandra Bell, the arms-control expert, are both nuclear-attack-submarine literate. Bigelow—whose new Netflix film, “A House of Dynamite,” imagines the U.S. government’s response to an incoming intercontinental ballistic missile (ICBM) eighteen minutes from impact—shot part of her 2002 submarine film, entitled “K-19:

time to read

3 mins

January 12, 2026

The New Yorker

The New Yorker

THE MUSICAL LIFE BROADWAY BABY

At Joe’s Pizza on Carmine Street, Marc Shaiman, the celebrated composer and lyricist, dropped his slice on the floor. “Ugh, it’s the Shaiman vortex,” he said. “Everything I come near breaks.”

time to read

3 mins

January 12, 2026

The New Yorker

The New Yorker

NOTORIOUS M.T.G.

Marjorie Taylor Greene and Donald Trump break up over Epstein.

time to read

26 mins

January 12, 2026

The New Yorker

The New Yorker

YES, AND?

How consent can—and cannot—help us have better sex.

time to read

14 mins

January 12, 2026

The New Yorker

The New Yorker

LET IT BLEED

When Helen Frankenthaler remade painting.

time to read

5 mins

January 12, 2026

The New Yorker

The New Yorker

THE AMERICAN POPE

How the Chicago-born Robert Prevost became Leo XIV.

time to read

32 mins

January 12, 2026

The New Yorker

The New Yorker

DEPT. OF RECYCLING SWIPE OUT

In 1994, when the MetroCard made Its 22, many straphangers were reluctant to say farewell to the subway token. Across the city, commuters struggled to master \"the swipe.

time to read

2 mins

January 12, 2026

The New Yorker

THE TALK OF THE TOWN

Easily missed on the back side of the November ballots that brought Zohran Mamdani to Gracie Mansion was a proposal for a new map of New York City.

time to read

4 mins

January 12, 2026

Listen

Translate

Share

-
+

Change font size