कोशिश गोल्ड - मुक्त

FIRST THINGS FIRST DEPT.ARTIFICIAL INTELLIGENCE

The New Yorker

|

June 09, 2025

At four o'clock on a recent Friday, Kevin McCullough found himself staring at a line of text on a poster in the Graham Avenue subway station, in Williamsburg.

“Prompt: What comes first, the chicken or the egg?” The poster was an ad for the School of Visual Arts. Beneath the prompt was a crude painting—of a oval-shaped chick, or was it an egg with feet and a beak?—that seemed agnostic on the issue. McCullough shook his head. Something of a literalist, he had always disliked the question, believing it unworthy of endless debate. “The whole reason why a chicken exists is because of the evolution inside the egg,” he explained the other day.

McCullough is not a biologist. He works as an art handler. He often carries a Sharpie in his pocket, for labelling packages. That day, as the L train arrived, he uncapped his Sharpie and added a flourish to the poster, circling the words “the egg.” Then he stepped forward to board the train, feeling somewhat smug at having asserted a bit of clarity amid the existential dread of rush hour.

“Excuse me, sir!” Another would-be commuter flashed a badge in McCullough’s direction. Chicken police?

The New Yorker से और कहानियाँ

The New Yorker

The New Yorker

LAST HARVEST

Georgi Gospodinov's new novel probes what dies when your father does.

time to read

8 mins

November 10, 2025

The New Yorker

The New Yorker

HEART TO HEART

Joachim Trier's approach to directing is as empathic as his films.

time to read

35 mins

November 10, 2025

The New Yorker

The New Yorker

TABLEAU VIVANT

The surprising endurance of Martha Stewart's \"Entertaining.\"

time to read

7 mins

November 10, 2025

The New Yorker

The New Yorker

THE PLAYER KING

Anthony Hopkins looks back.

time to read

12 mins

November 10, 2025

The New Yorker

The New Yorker

Ed Caesar on Nick Paumgarten's "Up and Then Down"

The shortest magazine pitch of Nick Paumgarten’s life actually took place in an elevator, which the writer was sharing with an elevator-phobic editor, and consisted of a single word:

time to read

3 mins

November 10, 2025

The New Yorker

THE PICTURES DAY IN THE LIFE

What happened to you yesterday? If your first thought is “not much,” consider the day that the photographer Peter Hujar had on December 18, 1974.

time to read

3 mins

November 10, 2025

The New Yorker

The New Yorker

TRANSITIONS

A father reckons with his child's transformation, and with his own.

time to read

23 mins

November 10, 2025

The New Yorker

The New Yorker

Pam Tanowitz's Pastoral, Ailey Does Joni Mitchell

In the dreary month of January, summer makes a brief but welcome appearance via Pam Tanowitz’s “Pastoral” (Rose Theatre; Jan. 11-13). It’s a bucolic work, a peaceable kingdom of serene, sometimes quirky dances, set within a landscape of vibrantly colored fabric panels by the artist Sarah Crowner. Dancers move with bracing clarity as Beethoven's “Pastoral” Symphony wafts across Caroline Shaw’s musical collage, which also suggests the buzzing of insects, bird calls, rain.

time to read

1 mins

November 10, 2025

The New Yorker

The New Yorker

Lorde, Clipse, Sudan Archives

There's a little something for everyone sprinkled across this winter's slate of shows in contemporary music. Those looking for ambience should catch the sound-design pioneer Suzanne Ciani at St. Ann & the Holy Trinity, where the accomplished composer will improvise on her modular synthesizer inside the grand cathedral (Dec. 6).

time to read

2 mins

November 10, 2025

The New Yorker

The New Yorker

MOTHER OF MEN LAUREN GROFF

There are men in my house, too many men, I am being driven mad by the men who are always in my house.

time to read

15 mins

November 10, 2025

Listen

Translate

Share

-
+

Change font size