Wajatta
Future Music
|April 2020
Unlikely electronic duo Reggie Watts and John Tejada deliver more urban dance kinetics on their second album, Don’t Let Get You Down. Danny Turner discovers how they’ve become more than the sum of their parts
Some of the best creative collaborations are also the most improbable. In 2017, beat-boxer, comedian and musician Reggie Watts discovered techno titan John Tejada playing a late night DJ set at an underground warehouse party in Los Angeles. A blossoming friendship ensued and the pair entered the studio in an attempt to unify their talents and create a refreshing play on their musical influences.
Forming Wajatta, a portmanteau of their last names, the duo hit the ground running with their debut release Casual High Technology. Acclaimed for Watts’ improvised beat-boxed rhythms and Tejada’s hypnotic blend of synths and drum patterns, the duo returned to the studio to record Don’t Let Get You Down, where they found their roles beginning to seamlessly interchange.
When did you guys first meet and decide to work together?
John Tejada: “It’s been about three years now. Someone brought Reggie to one of the underground parties I was playing at – he was there quite early and I just kind of saw his hair. I was familiar with what he did and kind of figured he was more of a music head than a musician, but we inevitably decided to do something. All my collaborations over the years have come from just hanging out and growing as friends. Now we don’t even need to speak to each other while doing our thing; we’re all synced up and in our comfort zone.”
Did you have shared ideals when it came to making music or was it more a case of opposites attracting?
यह कहानी Future Music के April 2020 संस्करण से ली गई है।
हजारों चुनिंदा प्रीमियम कहानियों और 10,000 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।
क्या आप पहले से ही ग्राहक हैं? साइन इन करें
Future Music से और कहानियाँ
Future Music
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
23 mins
Autumn 2021
Future Music
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
16 mins
Autumn 2021
Future Music
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
8 mins
Autumn 2021
Future Music
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
11 mins
Autumn 2021
Future Music
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
10 mins
Autumn 2021
Future Music
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
4 mins
Autumn 2021
Future Music
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
3 mins
Autumn 2021
Future Music
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
6 mins
Autumn 2021
Future Music
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
3 mins
Autumn 2021
Future Music
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates
3 mins
Autumn 2021
Translate
Change font size

