मैगज़्टर गोल्ड के साथ असीमित हो जाओ

मैगज़्टर गोल्ड के साथ असीमित हो जाओ

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Why Actors Score Big By Keeping It ‘Real'

The Hollywood Reporter

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Essential Awards Playbook, Dec. 2016

Truth-based performances — thanks to their perceived difficulty and (with luck) the campaign support of the figures they portray — confer an advantage to stars that doesn’t always extend to the films they inhabit.

- Caryn James

Why Actors Score Big By Keeping It ‘Real'

Channeling Jackie Kennedy’s breathy voice and aristocratic accent (straight from Miss Porter’s school for well-bred girls), Natalie Portman in Fox Searchlight’s Jackie is the clear front runner for the best actress Oscar. Tom Hanks, in an awards-ready performance, is as heroic a figure as ever but with transforming white hair and mustache in Warner Bros.’ Clint Eastwood-helmed Sully. The real-life Chesley “Sully” Sullenberger, who saved 155 lives by landing a plane on the Hudson River, by now is a familiar on-camera interview subject, so it’s easy to see the physical similarities between him and Hanks — and why they matter. Playing a real person is irresistible awards bait, as if actors get points for coloring inside the lines of an actual man or woman.

The acting competition this season includes a raft of other performances based on real people, even if their faces don’t come to mind so quickly. Taraji P. Henson, Octavia Spencer and Janelle Monae are brilliant mathematicians who worked for NASA during the 1960s in 20th Century Fox’s Hidden Figures. Michael Keaton is McDonald’s mastermind Ray Kroc in The Weinstein Co.’s The Founder. Ruth Negga and Joel Edgerton are an interracial couple in Focus Features’ Loving. Dev Patel plays a long-lost Indian boy who finds his way home in TWC’s Lion, and Andrew Garfield is a pacifist who enlists in the army during World War II in Mel Gibson’s return from directors jail, Lionsgate’s Hacksaw Ridge. And those are only the actors with a realistic shot at awards attention.

Some hopefuls lost ground early, victims of lackluster reviews and deadly box office.Warren Beatty shrewdly plays the myth as much as the reality of Howard Hughes in Fox’s

The Hollywood Reporter

यह कहानी The Hollywood Reporter के Essential Awards Playbook, Dec. 2016 संस्करण से ली गई है।

हजारों चुनिंदा प्रीमियम कहानियों और 9,500 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।

क्या आप पहले से ही ग्राहक हैं?

The Hollywood Reporter से और कहानियाँ

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Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

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Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

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Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

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Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

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A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

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Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

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Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

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No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

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Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

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May 31, 2017

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In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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