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Castaways
The New Yorker
|September 9, 2019
“BH90210,” a sweet meta-reboot.
Since the turn of the century, three paths have emerged for washed-up stars, displacing hoarier options like “Hollywood Squares.” First, there was the glitzy image rehab of reality TV: invite the cameras into your bedroom, try your hand at ballroom dancing, or tell your secrets to Dr. Phil. Alternatively— or often simultaneously—you could flack for a line of life-style products. But another option was available, too. On a scripted comedy such as “Entourage,” you could agree to “play yourself,” in both senses of the phrase. Satirizing your reputation let you look like a good sport—and, if it clicked, might remind people of why they liked you in the first place. Could Liza Minnelli really be so crazy if she was capable of pulling off such a daring, funny, literally unstable slapstick satire of her own unstable persona, on “Arrested Development”?
यह कहानी The New Yorker के September 9, 2019 संस्करण से ली गई है।
हजारों चुनिंदा प्रीमियम कहानियों और 10,000 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।
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