Digital Studio - April 2016

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Digital Studio’s April 2016 issue focuses on the rising popularity of the Over-The-Top (OTT) segment, which has induced many broadcasters as well as media and entertainment companies to launch their own streaming services. Netflix’s Indian entry made them take a closer look at their own OTT strategy, even whilst most were still working out ways to monetise content on their platforms. These companies do not perceive Netflix currently as a threat given its limited local content and high subscription rates. But as the brand works with Indian content creators to have a wider library of Indian movies, TV series and possibly Indian originals; can local companies afford to be dismissive of this elephant in the room? This issue also gives a sneak peek into some innovative solutions and products that will be showcased at the NAB Show 2016 – the largest event for the broadcasting industry. Another highlight of Digital Studio’s April 2016 is an in-depth look into how Oscar-winning cinematographer Emmanuel Lubezki got the ethereal look for the movie‘The Revenant’. The issue also dives into the technologies that Oscar-winning film editor Margaret Sixel used to weave together more than 470 hours of location footage into what would eventually become the final 120-minute‘Mad Max: Fury Road’.As always, the information-packed Digital Studio presents a comprehensive report on various emerging industry trends, business news, as well as information about the latest products and solutions rolled out by leading organizations.