Passez à l'illimité avec Magzter GOLD

Passez à l'illimité avec Magzter GOLD

Obtenez un accès illimité à plus de 9 000 magazines, journaux et articles Premium pour seulement

$149.99
 
$74.99/Année

Essayer OR - Gratuit

Let the music transport you

Stereophile

|

September 2024

It's the late 1980s, and I'm soldering tube amplifiers on a plywood bench. I decide on a whim that it's time to break down and buy a CD player to supplement the Dynaco tuner and Dual cassette deck in my workroom music system.

Let the music transport you

I was a slow starter with digital because of my early take on CD sound: It was emotionally drained with grumbling distortions in the bass and an off-timbre midrange, crowned by a thin, artificial treble, and penetrated by an eerie, unnatural silence whenever the musicians stopped playing. I thought cassettes had higher fidelity and that CDs would be a passing fad, but I kept browsing CDs at Tower Records, and the itch to buy some was getting pretty strong.

One of my friends said, "Maybe it's not the conversion principle that's to blame but something else, like an imperfect CD player?" That interesting thought had not occurred to me, and it obviously occurred to lots of engineers, because they are still trying to improve the quality of CD playback by adjusting the mechanism.

My friend's thought prompted me to ask my engineer pal, a short-tempered wizard named Dick, what CD player he used. He responded in his best gruff know-it-all voice, "These new CD players are shit! Don't buy one until they make one where the transport mechanism floats!" When I asked if anybody made one that floated, he said that he used a portable, battery-powered Optimus CD player from Radio Shack, and that its transport mechanism floated, and that it sounded better than any audiophile deck.

Dick "knew things," so I believed him.' When I got to Radio Shack and saw the player he recommended, I laughed at its plastic-toy flying-saucer style. It looked the opposite of serious, but a closer inspection and a quick listen with its included headphones suggested there might be some good engineering hidden beneath its UFO casework. The more I examined the Optimus, the more it seemed perfect for my workbench, my bike, and my car. It cost around a hundred bucks, so I bought one and kept it as my only CD player until 1993, when I capitulated and bought my first nonportable CD player: a TEAC VRDS-10.

PLUS D'HISTOIRES DE Stereophile

Stereophile

Stereophile

ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

time to read

10 mins

February 2026

Stereophile

Stereophile

Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

February 2026

Stereophile

Stereophile

Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

February 2026

Stereophile

Stereophile

EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

time to read

16 mins

February 2026

Stereophile

RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

February 2026

Stereophile

Stereophile

Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

February 2026

Stereophile

Stereophile

Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

February 2026

Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

time to read

12 mins

February 2026

Stereophile

Stereophile

CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

time to read

16 mins

February 2026

Stereophile

Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

Listen

Translate

Share

-
+

Change font size