Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

- Gareth Bevan

For many people, when they think of Panasonic cameras, the GH line might well be the first model that pops into their heads. The GH lineup of hybrid cameras has long been renowned for its video pedigree, with the Lumix GH6 especially being a fan-favourite for independent filmmakers.

However, despite the GH6's brilliance, there was one glaring omission - phasedetect autofocus. The GH6 was released just a few months prior to the Lumix S5 II, which debuted Panasonic's modern autofocus system and finally brought Lumix AF into competition with the likes of Sony and Canon. But this left many observers (me) and potential buyers, wondering why Panasonic didn't delay the GH6 release to include this feature. Panasonic is finally on course to correct this misstep with the GH7, which features a brand-new sensor, processing engine and, yes, phase-detect autofocus. With the GH6 basically getting everything else right, surely this is an open goal for Panasonic? Let's find out.

If you don't spot the insignia, you might not even notice this is a new model. The GH7 recycles the previous model's design - although there is nothing wrong with that, as the GH6 made some strides with a robust and ergonomic design.