Essayer OR - Gratuit
Stage review Shakespeare throbs with strobe lights and glitter
The Guardian
|October 26, 2024
Like the pangs of romance or the pull of melodrama, adolescent angst proves timeless. Sam Gold, the director of a newly revived Romeo + Juliet on Broadway, knows this – the production, an admirably diverse, comfortably queer and aggressively millennial version featuring original music from the pop maestro Jack Antonoff, leans hard into the text’s hot-blooded, definitively teenage impulsivity. But he doesn’t seem to trust it.
Romeo + Juliet, so styled after the 1996 Baz Luhrmann film with which it shares an ultra-contemporary, lusty ethos, feels overeager to assure today’s youths that the stir-crazy teens of Verona were just like them – stressed and bursting with feeling, as told by a Netflix heartthrob (Heartstopper’s Kit Connor) and a Spielberg leading lady (West Side Story’s Rachel Zegler), both in Broadway debuts.
Cette histoire est tirée de l'édition October 26, 2024 de The Guardian.
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