Stage review Lily Allen convinces as Hedda but Ibsen's tale is lost in time

It is not through any shortcomings of the cast that Matthew Dunster's modern-dress reimagining of Henrik Ibsen's Hedda Gabler is so peculiar.

- Arifa Akbar

It is not through any shortcomings of the cast that Matthew Dunster's modern-dress reimagining of Henrik Ibsen's Hedda Gabler is so peculiar. Lily Allen is convincingly brittle as the bored newlywed who has just returned from honeymoon with her plodding academic husband, George (Ciarán Owens). His loyal aunt, Julia, is exquisitely played by Imogen Stubbs. Julia Chan shines in the part of Hedda's old school friend, Taya, who has left her controlling husband and is in the throes of a love affair with the alcoholic academic Jasper (Tom Austen, all earnestness here). He is Hedda's former lover who sparks her destructive jealousy, which leads to the play's explosive ending.

The setting is a cool, Scandi-style living room with long billowing curtains, beautifully designed by Anna Fleischle. But as well-acted and stylish as this production is, why does it not convince?