THE CLOWN SHOW

The Savannah Bananas are reviving one of the most entertaining—and controversial—teams in Negro Leagues history.

- JOSH LEVIN

'My dad was a big Lakers fan,” Kobe Shaquille Robinson told me, indulging an admittedly obvious question. Robinson was born in 2001, in the middle of Kobe Bryant and Shaquille O’Neal’s three-NBA-championship run. But he discovered early on that his name couldn’t help him shoot a basketball. As an athlete, he stood out on the pitcher’s mound.

Robinson is 6 foot 2 and lanky; when we met, he was wearing his hair in two-strand twists. We were talking on a Saturday afternoon in Memphis, in a retro-style downtown stadium named after an auto-parts chain. It was, in a way, the perfect venue for a conversation with an up-and-coming ballplayer—a minor-league park with all the trimmings of a major-league one. It was also, objectively speaking, an unusual workplace for a Black athlete in 2026.

Back in the mid-1980s, during the prime of Ozzie Smith, Rickey Henderson, Tony Gwynn, and Dwight Gooden, more than 18 percent of Major League Baseball players were Black. Now that figure is just below 7 percent—right around where it was in 1956, less than a decade after Jackie Robinson broke the color line.

No single reason explains Black Americans’ diminished footprint in the sport; the high cost of equipment and travel ball, dwindling municipal funding for youth leagues, the rise of the NFL and the NBA, and a parallel surge of Latino talent have all contributed. Despite these factors, Kobe Robinson still dreamed of a life in baseball. “I just felt like the man out there,” he said. “So I stuck with it.”