A Brief, Biased History of the Culture Wars

THE FIRST PAR AGR APH of the book jacket lays it out: “There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past.

- STEVEN KURTZ

Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny?”

There’s a good point underneath the hyperbole. People tend to believe—and pundits, politicians, and activists tend to claim—that whatever issues trouble them are worse than ever. Why? Because these things are happening now. To us. Problems in the past weren’t as urgent or significant because they happened to others, and anyway things turned out OK (or if they didn’t, at least those problems are over).

So Kliph Nesteroff’s Outrageous has a decent premise. Alas, it also has significant flaws.

The book’s subtitle is A History of Showbiz and the Culture Wars, and Nesteroff has some expertise—at least regarding the former. He previously wrote The Comedians, a lively and informative work that, admittedly, bit off more than it could chew, trying to cram the history of American comedy into a few hundred pages.

A history of public opposition to American entertainment is a more manageable subject, though still a big one. While Nesteroff starts with complaints about blackface and minstrel shows in the 1800s, most of the book deals with post–World War II controversies. And he has some fascinating stories to tell about the many attempts to cancel movies, music, TV shows, and just about anything that was new and different.

Some of these stories may be familiar. Many people know about the resistance All in the Family faced when it first aired in the 1970s, with its vulgarity and ethnic slurs; CBS stuck by it, and the sitcom went on to become one of the biggest TV shows ever. But how many people remember Bridget Loves Bernie, a sitcom that followed