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JETHRO TULL
Prog
|Issue 171
In their seventh decade, Jethro Tull are as busy as ever.
Time has inevitably reshaped the band, but they’re still just as important to fans of a genre they were at the very forefront of.
Taking charge of a sold-out London Palladium tonight with two sets and no support, the quintet begin the show with minimal fanfare beyond a few playful projections, and a trio of tracks from their bluesy 1968 debut, This Was.
For opener Some Day The Sun Won't Shine For You, Ian Anderson, who is nearly 60 years older than when his band’s first album was released, stands harmonica in hand alongside guitarist Jack Clark, who was born a year after the album had celebrated its quarter-century. It’s a poignant choice, setting the tone for an evening celebrating a lasting legacy, but, truthfully, this isn’t quite the Tull this packed room of devotees is looking for.
They soon transition into a medley of excerpts from Cette histoire est tirée de l'édition Issue 171 de Prog.
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Jethro Tull's venerable bandleader Ian Anderson is no stranger to interviews, but he's never done one quite like this before. We've lined up an all-star cast of friends, collaborators and admirers to give him a grilling he won't forget! We get his thoughts on all manner of topics, from the serious to the candid, in one of the most revealing Q&As he's ever given.
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JONAS LINDBERG
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The Paradox Twin frontman and sole songwriter, Danny Sorrell, began work on his band's third LP, A Romance Of Many Dimensions, during a turbulent period in his personal life. Now on the other side, he reflects on both a solitary and collaborative creative process, and how his own experiences with grief, isolation and digital dependency are mirrored in the album's concept.
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A likable acoustic duo from down the A coast in Newhaven, Dandelion Charm seduce a room full of early birds with just Clare Fowler's lead voice, 12-string guitar from her husband John and some divine interlocking harmony parts.
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Symphonies In Bloom
Japanese post-rockers MONO have tapped into themes of grief and mourning on their 13th studio album, Snowdrop. Inspired by the floral tributes left on graves, the band have coined a musical language to communicate the emotions of grief that words can't always convey. Guitarist Takaakira ‘Taka’ Goto and producer Brad Wood reflect on their late collaborator Steve Albini and moving forward with new ideas.
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EMERSON, LAKE & POWELL
Vinyl reproduction of patchy but worthy one-off album from 1986.
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Issue 171
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KRISTOFFER GILDENLÖW
Ex-Pain Of Salvation multi-instrumentalist ventures into heavier waters.
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PINK FLOYD
Legendary tracks brought together from group's 70s heyday.
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SHANE EMBURY
Napalm Death's bassist on his passion for prog, flirting with Cardiacs and his very progressive new solo album.
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