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The LEGACY of LIZ TILBERIS

Harper's BAZAAR - US

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September 2024

In honor of OVARIAN CANCER Awareness Month, CHRIS TILBERIS recalls the work of his late mother, who ushered in a new GOLDEN AGE for Harper's Bazaar in the '90s while waging her own BATTLE with the disease.

- STEPHEN MOOALLEM

The LEGACY of LIZ TILBERIS

I was seven years old when my family moved to New York from London. It was January of 1992, and my mother had just been named editor in chief of Harper's Bazaar. She'd been the editor of Vogue in the U.K., where both my parents were from. She loved that job, having started out at the magazine two decades earlier as an assistant. We had family and friends in London. One of my earliest memories involved presenting flowers to Princess Diana.

She and our mom had gotten to know each other during her time at Vogue. Looking back now, it all seems a bit surreal. But even as a kid, I had this strong sense that it must have taken a pretty special opportunity for her and our dad to leave all that behind and move with me and my older brother, Rob, who was 11 at the time, across an ocean and around the world. The opportunity to come to the U.S. and reimagine a magazine like Bazaar was one she couldn't pass up.

It was a big transition for all of us. I remember our first two or three months in New York, we lived in a hotel. The food was different. So was the weather. My brother and I had to learn about new sports, like baseball and basketball, and make new friends.

Our mom wanted to make sure that we stayed connected to our family in England, but at the same time she also wanted us to become fully engaged with the new one we found forming around us in New York. The fashion world is small, so we were very lucky to have people around us like our mom’s friend Grace Coddington, whom she’d worked with at British Vogue. Grace herself had relocated to the States after becoming creative director of the American edition. Our mom also knew Patrick Demarchelier, who was one of the first photographers to sign on with her to shoot for Bazaar. He, his wife, Mia, and their sons, Gustaf, Arthur, and Victor, were incredibly welcoming to us all—as were the editor in chief of Esquire at the time, Terry McDonell, and his family.

PLUS D'HISTOIRES DE Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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