Essayer OR - Gratuit
The ART of REFUSAL
Harper's BAZAAR - US
|December 2025 / January 2026
DEREK C. BLASBERG talks to artist AMY SHERALD about how her blockbuster exhibition, "AMERICAN SUBLIME," landed at the BALTIMORE MUSEUM OF ART and why INTEGRITY still MATTERS-in ART and in LIFE
-
I’ve heard Amy Sherald tell this story before, but it’s so good, I’m asking her to tell it again.
“I was painting, and the phone rang,” the Columbus, Georgia-born painter, who was living and working in Baltimore at the time, begins. It was 2017, and destiny was on the line: Her name was Dorothy Moss, and she was then the curator of painting and sculpture at the Smithsonian Institution’s National Portrait Gallery in Washington, D.C. “‘You should sit down,’ Moss said.” Sherald did as she was told. “‘Michelle chose you to paint her portrait.’”
At the age of 44, Sherald, a relatively under-the-radar Black portraitist whose style is defined by grayscale skin tones and brightly colored, minimalist backgrounds, had been selected to paint the official portrait of the first lady of the United States, Michelle Obama. She remembers getting the news while she was working in her space at the Creative Alliance, a local residency program that offers below-market rent on live-work studios; she remembers her IKEA sofa. “I was sitting with my dog August Wilson. He’s a Virgo, like his mom,” Sherald recalls. “I told him, ‘Your mom is going to be famous. You’ll never have to eat cheap dog food again!’”
With that call, Sherald’s name entered a different pantheon—not just in the world of contemporary art but in the national conversation around self-expression, identity, representation, and Black subjectivity. Her work is now in the collections of top museums, including the Whitney Museum of American Art and the Los Angeles County Museum of Art, and commands considerable attention (and prices to match) on the art market.
All of that made Sherald’s decision to cancel a survey of her work that was set to open at the National Portrait Gallery this past fall that much more emblematic of just how drastically the cultural climate in the country has changed.
Cette histoire est tirée de l'édition December 2025 / January 2026 de Harper's BAZAAR - US.
Abonnez-vous à Magzter GOLD pour accéder à des milliers d'histoires premium sélectionnées et à plus de 9 000 magazines et journaux.
Déjà abonné ? Se connecter
PLUS D'HISTOIRES DE Harper's BAZAAR - US
Harper's BAZAAR - US
WHY DON'T YOU...?
For our Art issue, LYNETTE NYLANDER urges you to look to these VORACIOUS ART COLLECTORS, who also happen to be WOMEN of great STYLE and TASTE, for LESSONS on HOW to incorporate BEAUTY into your HOME and LIFE
2 mins
December 2025 / January 2026
Harper's BAZAAR - US
IN-DEMAND Hands
FACIALS are no longer about just the SPA you go to or what your CHEEKBONES look like afterward but the NAME of the AESTHETICIAN who SCULPTS your face. How APPOINTMENTS with “IT” FACIALISTS have become the ultimate skincare STATUS SYMBOL.
4 mins
December 2025 / January 2026
Harper's BAZAAR - US
IN the PAINT
One of the most CLASSICAL FORMS of ART-MAKING, PAINTING has assumed a new CURRENCY in the age of AI and DIGITAL MEDIA. We spoke with SEVEN WOMEN ARTISTS who are REIMAGINING its TRADITIONS and RESHAPING them in their OWN IMAGE.
8 mins
December 2025 / January 2026
Harper's BAZAAR - US
We're COMING UNDONE...and So Are Our CLOTHES
The SPRING COLLECTIONS were packed with CLOTHES that appeared to be FALLING OFF the body: LOOSE layers, RIPPED fabrics, UNZIPPED jeans. The WEIGHT of the WORLD feels particularly HEAVY right now; can FASHION reflect our longing to LIVE and LET GO?
6 mins
December 2025 / January 2026
Harper's BAZAAR - US
HOW MELANIE WARD RESTYLED FASHION
FOR MELANIE WARD, fashion was never about fantasy or escape but a way to live freely and fully in the moment. The London-born stylist, who passed away in October, helped reshape fashion—and Harper's Bazaar—in the 1990s and 2000s with her modernist eye and collaborations with Helmut Lang and Calvin Klein.
1 min
December 2025 / January 2026
Harper's BAZAAR - US
How do you SURVIVE UNTHINKABLE TRAGEDY and still find BEAUTY in the WORLD?
ON SEPTEMBER 24, 2021, the poet, visual artist, and novelist Rachel Eliza Griffiths married the author Salman Rushdie. That same day, her best friend, the poet Kamilah Aisha Moon, who was set to speak at their wedding, died suddenly and unexpectedly. Within the first year of their marriage, Griffiths and Rushdie faced tragedy once again when Rushdie was nearly killed in a knife attack at a reading. In The Flower Bearers, out this January, Griffiths writes about what it takes to not only survive these compound tragedies but still feel alive and love and to still look at the world as a poet. We live in a time of incalculable losses. Most of us are trying to figure out how to live our lives while staying awake—how to reckon with what's gone without being overcome by sadness. Griffiths’s memoir, excerpted below, is a guide, in part, to living with and through grief and an ode to the everyday miracle of endurance.
5 mins
December 2025 / January 2026
Harper's BAZAAR - US
Mérida's MAGIC
An ARTISTIC SPIRIT animates the city with a distinctive BEAUTY and laid-back ENERGY that feels WORLDS AWAY from nearby Cancún
2 mins
December 2025 / January 2026
Harper's BAZAAR - US
The ART of REFUSAL
DEREK C. BLASBERG talks to artist AMY SHERALD about how her blockbuster exhibition, \"AMERICAN SUBLIME,\" landed at the BALTIMORE MUSEUM OF ART and why INTEGRITY still MATTERS-in ART and in LIFE
6 mins
December 2025 / January 2026
Harper's BAZAAR - US
MEGHAN'S Moment
After years of being subsumed by OTHER PEOPLE'S NARRATIVES, the DUCHESS of SUSSEX is ready to AUTHOR her OWN NEXT CHAPTER
14 mins
December 2025 / January 2026
Harper's BAZAAR - US
Wildest DREAMS
There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences
2 mins
November 2025
Listen
Translate
Change font size
