Passez à l'illimité avec Magzter GOLD

Passez à l'illimité avec Magzter GOLD

Obtenez un accès illimité à plus de 9 000 magazines, journaux et articles Premium pour seulement

$149.99
 
$74.99/Année

Essayer OR - Gratuit

Musicians RHIANNON GIDDENS and BRITTNEY SPENCER on COUNTRY music's BLACK HISTORY and why the genre is at a TURNING POINT

Harper's BAZAAR - US

|

June - July 2024

Country music's popularity is at an all-time high in America, with the genre boasting a more diverse audience base than ever before.

- ARIANA MARSH

Musicians RHIANNON GIDDENS and BRITTNEY SPENCER on COUNTRY music's BLACK HISTORY and why the genre is at a TURNING POINT

But the marginalization of Black performers was once an institutional part of the business. For decades, artists of color in the Nashville-centered music world were largely excluded from popular venues and circuits, and labels divided their releases into records for white audiences and "race records" for nonwhite ones.

It's a subject that Beyoncé delved into headlong with the release this past spring of Cowboy Carter, which pays tribute to some of the trailblazing Black women who have helped shape country music. Among them: Linda Martell, the first Black woman to perform at the Grand Ole Opry; author, educator, and award-winning songwriter Alice Randall, who released her memoir and accompanying album, My Black Country, in April; and singer and pianist Frankie Staton, who created the first Black Country Music Showcase at the Bluebird Cafe, a famed Nashville listening room, in 1997. The album also serves as a showcase for important contemporary talent, including Rhiannon Giddens, who plays banjo on "Texas Hold 'Em," and Brittney Spencer, who sings on "Blackbiird," Beyoncé's version of the classic Beatles cut, alongside Tanner Adell, Tiera Kennedy, and Reyna Roberts.

Giddens, a founding member of the Grammy-winning Black string band the Carolina Chocolate Drops, is one of the preeminent banjo players in the country and an educator on the West African origins of the instrument, which was brought to America through the slave trade. Giddens has released three solo albums and won the 2023 Pulitzer Prize for Music for Omar, the opera she cowrote with composer Michael Abels. In 2017 and 2018, she appeared on the CMT series Nashville, which was set against the glitzy backdrop of the city's mainstream country scene, portraying gospel singer and social worker Hannah Lee "Hallie" Jordan.

PLUS D'HISTOIRES DE Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

Listen

Translate

Share

-
+

Change font size