Essayer OR - Gratuit
Joe Henderson: Blue Note and Beyond
Stereophile
|February 2022
REDISCOVERIES

Called “the phantom” by fellow musicians and dubbed the “bearded, goateed astronaut of the tenor sax” by a close friend, trumpeter Kenny Dorham, the enigmatic Joe Henderson recorded five albums for the Blue Note label that are uniformly regarded as jazz classics. Mosaic Records has gathered those records— Page One, Our Thing, In ’n Out, Inner Urge, Mode for Joe—plus Henderson’s sideman dates and alternate takes for Blue Note for a limited-edition, five-CD box set, The Complete Joe Henderson Blue Note Studio Sessions (Mosaic Records MD5-271).
Henderson’s music on Blue Note is cerebral but earthy; his dark, arid saxophone gusts soar with friendly ferocity. Such Henderson standards as “Blue Bossa,” “Recorda Me,” “Caribbean Fire Dance,” “Punjab,” and “A Shade of Jade” share the rare quality of sounding eternally fresh, inner seams bristling with energy and Henderson’s unique sonic logic.
Mastered from 24-bit transfers from Rudy Van Gelder’s original tapes, the discs all sound clear, rich, and dynamic, and the box is still available. Grab yours while you can, though: It’s a limited edition, and if you want a physical copy of this music (as opposed to streaming), it’s hard to find elsewhere. Are you listening, Blue Note?
1968 marked the end of Henderson’s contract with Blue Note—regrettable, since his music fit well there—but his career lasted decades longer. His subsequent recordings for Milestone, Red, Enja, Contemporary, and MPS reveal a fertile, restless composer who embraced new sounds and styles within magnetic compositions and an increasingly avantgarde style.
1968’s
Cette histoire est tirée de l'édition February 2022 de Stereophile.
Abonnez-vous à Magzter GOLD pour accéder à des milliers d'histoires premium sélectionnées et à plus de 9 000 magazines et journaux.
Déjà abonné ? Se connecter
PLUS D'HISTOIRES DE Stereophile

Stereophile
Doing it for themselves—and for us
Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.
3 mins
November 2025

Stereophile
15 FOR 50 1975 IN 15 RECORDS
WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.
12 mins
November 2025

Stereophile
PrimaLuna EVO 300 Hybrid
These days, listeners the wide world over enjoy hearing their music recreated for them by equipment whose origins are international; trade isolationists might consider the example of PrimaLuna.
10 mins
October 2025

Stereophile
Bricasti Design M21
Those of us who review audio equipment, and even audiophiles who don't, often talk about our reference systems.
11 mins
October 2025

Stereophile
Pablo Records via Granz and Kassem
Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture.
3 mins
October 2025

Stereophile
Hi-fi for (very) small spaces
For the past few months, I've been getting ready to move. Those of you who've looked for an apartment in New York City know that it may be the single most dismal thing about living here.
12 mins
October 2025
Stereophile
RECOMMENDED RC2025 COMPONENTS
Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Occasionally we get complaints from manufacturers who object to being included in, say, Class B. That's their error: Inclusion in Class B is a significant honor.
34 mins
October 2025

Stereophile
The Shanling ET3 CD transport
Costing just $899, Shanling's top-loading ET3 CD transport appears to have been designed by people who recognize the multitude of big and small fails (or lost opportunities) of previous CD transports. In use, the ET3 felt like a distillation of what I've always wanted in a transport: strong, solid, compact, cool-looking, and feels good to use. Everyone knows I like pro-audio cool with no froufrou. This Shanling deck looked so damn smart and felt so good to touch that it kept my mind repeating, \"Yep! That's how a CD transport should be built!\"
11 mins
October 2025

Stereophile
JOHN GIOLAS ASSUMES MARKETING LEADERSHIP AT CH PRECISION AND WATTSON AUDIO
Industry veteran John Giolas, global director of marketing for Swiss-based Wattson Audio since November 2024, has expanded his portfolio by also becoming global director of marketing for Wattson's parent company, CH Precision. The appointment, effective July 16, 2025, consolidates marketing strategy across both Swiss brands under Giolas's direction.
8 mins
October 2025

Stereophile
CH Precision C10
It takes audacity for a company that already builds one of the finest DACs on the planet, which is already expensive, to set out to build one that's so much better that it warrants an extra digit in the model number and a much higher price tag. But then CH Precision has never lacked audacity.
16 mins
October 2025
Translate
Change font size