Beyond Traditional and Modern

JYOTI BHATT is a celebrated and awarded artist, best known for his work in painting and printmaking, as well as his photographic accounts of rural Indian culture and folk art. He and his colleagues founded the “Baroda School” of Indian art. He was awarded the Padma Shri in 2019 and has been honoured with 5 Lifetime Achievement Awards. In August 2021 he had a conversation with ANANYA PATEL, musing about his life and his art. Excerpts from that conversation are presented in this 2-part series, along with some of his work.

- ANANYA PATEL

My wife Jyotsna inspired me from the beginning. I have been told that I have depicted her in all the female figures in my paintings and prints. This may not be 100% right, but there’s something to it. I was in New York on a Fulbright scholarship when I got a threemonth grant to travel in the US. She came with me and we got married. It was in 1966. We had no idea how to run a family or anything. We learned to help each other. I would listen to what she had to say, and she would listen to me, but without any special or forced effort. It was a collaboration. The only thing was that work should continue.

We then returned to Baroda, where I had a teaching job and she completed her post graduate diploma and started teaching. Very few of our brilliant female students got the opportunity to continue with their art, and I didn’t want her to worry about running the house.

We have to throw away something, so it’s best to select something that is best, or something that is important enough to tell us about the past.

When I was photographing I would go away for long periods, so she took all the responsibility of managing the home and looking after our daughter. I’m sure when I was away there were problems, but she never mentioned any of them to me. Often we think that not coming in the way of each other itself is a great help.