Essayer OR - Gratuit
4 Planes, 10,000 Miles And 8 Hot Towels: 36 Hours On A Bicoastal Mission In First Class
The Hollywood Reporter
|April 13, 2017
Pass the organic ice cream and Baileys! An intrepid THR editor tests the ultra-luxe services of L.A.-to-NYC airlines, breezing through security, munching on parsnip mousse and cocooning in a pod at 30,000 feet

It was 9 a.m., and I was barely functioning on three hours of sleep, having just flown coast-to-coast-to-coast. Fidgeting in my lie-flat leather-trimmed lounger, I just couldn’t fathom yet another glass of champagne. So I ordered a mimosa.
In that moment, feeling like I’d woken up on the floor somewhere in Vegas, I knew I had underestimated this seemingly cushy assignment: to compare the top premium flights between Los Angeles and New York City. Between noon on a Tuesday and midnight the following day, I jetted back and forth between the two cities on the carriers that offer lay-flat seating — American, JetBlue, Delta and United. It was a 36-hour vision quest that spanned 10,000 miles and forced me to confront hard choices (lobster roll or lamb shank?). My only job during this mission was to assume a reclined position and weather a perfect storm of luxury and privilege befitting a bicoastal mogul. But up there, sipping a mimosa, I felt unexpected pressure. Fortunately, it subsided as soon as I unfastened the top snap of my jeans.
ON TUESDAY MORNING, I was greeted curbside at LAX by a rep with American’s Five Star Service who led me into the Flagship First Class entrance. The efficiency was staggering — within five minutes of stepping out of my Lyft ride, I had checked in, taken a series of secret passageways, been escorted to the front of a long security line and was on my way to the lounge.
Cette histoire est tirée de l'édition April 13, 2017 de The Hollywood Reporter.
Abonnez-vous à Magzter GOLD pour accéder à des milliers d'histoires premium sélectionnées et à plus de 9 000 magazines et journaux.
Déjà abonné ? Se connecter
PLUS D'HISTOIRES DE The Hollywood Reporter

The Hollywood Reporter
Michael Ovitz, Me And The Truce That Never Was
As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.
12 mins
September 2-9, 2016 Double Issue

The Hollywood Reporter
Songs Of Innocence And Experience
How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’
3 mins
Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter
Execs Can Boycott The Press Tour — But Not The Pressing Questions
With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season
4 mins
December 16, 2016

The Hollywood Reporter
Making Of Kubo And The Two Strings
Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.
5 mins
Awards Playbook Dec. 2016

The Hollywood Reporter
A World Of Pioneering Talents
Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)
6 mins
Essential Awards Playbook, Dec. 2016

The Hollywood Reporter
Iain Canning & Emile Sherman
The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene
6 mins
December 9, 2016
The Hollywood Reporter
Producer Of The Year Charles Roven
He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.
10 mins
December 23, 2016 - January 06, 2017

The Hollywood Reporter
No Happy Endings Required
The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).
17 mins
December 23, 2016 - January 06, 2017
The Hollywood Reporter
Matt Tolmach
The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’
5 mins
May 31, 2017
The Hollywood Reporter
In Defense Of Good O1' Network TV
With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net
3 mins
May 31, 2017
Translate
Change font size