Essayer OR - Gratuit
Bowers & Wilkins 805 D3
Stereophile
|March 2017
I have had a long relationship with Bowers & Wilkins.
The first B&W speaker I spent serious time with was the DM-6, the infamous “pregnant kangaroo,” which was reviewed by Allen Edelstein in December 19771 and which I borrowed for a while after interviewing the company’s founder, John Bowers. Ten years later, when I met the woman who was to become my third wife, she already owned a pair of B&W Matrix 801s, a speaker reviewed by Lewis Lipnick in December 1987.2 Both of these models were floor standers, but the B&W speaker that spent the longest time in my listening room was the stand-mounted John Bowers Silver Signature, which I reviewed in June 1994,3 subsequently purchased, and used as my reference until the magazine relocated from New Mexico to New York in summer 2000. The Silver Signature was launched in 1991, both to celebrate B&W’s 25th anniversary and, as its name also suggests, to pay tribute to John Bowers, who had passed away in 1987.
The Silver Signatures were not as simpatico with my Brooklyn listening room as they had been with my room in Santa Fe, so I stopped using them. However, I’ve always kept an eye and two ears on the brand. Then, at the beginning of summer 2016, I took a train trip to Boston, both to witness the launch of the Diamond Series 800 D3 loudspeaker from Bowers & Wilkins and to celebrate the British speaker maker’s 50th anniversary.
Cette histoire est tirée de l'édition March 2017 de Stereophile.
Abonnez-vous à Magzter GOLD pour accéder à des milliers d'histoires premium sélectionnées et à plus de 9 000 magazines et journaux.
Déjà abonné ? Se connecter
PLUS D'HISTOIRES DE Stereophile
Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
10 mins
February 2026
Stereophile
Touched-up Beatles and Ringo in color
Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.
3 mins
February 2026
Stereophile
Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
4 mins
February 2026
Stereophile
EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
16 mins
February 2026
Stereophile
RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
3 mins
February 2026
Stereophile
Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
14 mins
February 2026
Stereophile
Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
4 mins
February 2026
Stereophile
Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
12 mins
February 2026
Stereophile
CH Precision L10
TWO-CHASSIS LINE PREAMPLIFIER
16 mins
February 2026
Stereophile
Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
3 mins
February 2026
Translate
Change font size
