Designing His Dark Materials

Production designer Joel Collins talks us through the creation of Cittàgazze, the crossroads between the worlds that takes lyra to new adventures in season two of his dark materials

- Nick Setchfield

Everyone thinks his dark materials is a location- and VFX-based show. And that’s just a presumption: oh, they’ve got money! But it’s not. There are VFX in it, and there are a few locations, in equal measure, but we built this enormous amount of stuff to make a flavor and a tone. It’s funny – you look at Cittàgazze, people aren’t going to think we built that in Wales! But we did. People were sitting there having coffees. You get lost around it. It was a huge, huge space – and fun.

I was also well aware that we had young actors who are really talented. We wanted to give them something to physically engage with. I know that Dafne [Keen] and Amir [Wilson] ended up sneakily writing my name all over the town because they said I’d made it. They were saying, “See if you can spot where we’ve written it!” So that was quite naughty…

THE HISTORY OF CITTÀGAZZE