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JUXTAPOZ - July 2016, n186

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Dans ce numéro

The July 2016 issue of Juxtapoz Magazine features a special cover story one of America's most up-and-coming painters, NYC-based Nina Chanel Abney. Her vibrant images of social unrest, mixed with pop-culture iconography and slang have made her one of the most exciting talents to emerge in US in the 21st Century. The issue also features coverage on Street Art in the Middle East, the art of stamp collecting, the style of classic in-flight uniforms, the history of Robert Mapplethorpe, and a look into the re-creation of NASA Graphics Standards Manual.

JUXTAPOZ Description:

Step into the vibrant and diverse world of contemporary art with JUXTAPOZ Magazine. We're excited to introduce you to this publication, your ultimate source for all things related to art, creativity, and the latest developments in the artistic landscape.

JUXTAPOZ Magazine, published by High Speed Productions, Inc., is not just a magazine; it's your passport to the world of contemporary art.

As you explore the pages of JUXTAPOZ Magazine, you'll find a world of content that celebrates the vibrancy of contemporary art:

* Artistic Expression: Dive into the world of artistic expression, featuring visual art, painting, sculpture, street art, and more.

* Emerging Artists: Discover the work of emerging and underground artists who are redefining the boundaries of creativity.

* Art Movements: Explore the latest art movements, trends, and the evolution of the contemporary art scene.

* Creative Insights: Gain insights from artists, curators, and creative minds who share their experiences and perspectives.

* Art and Culture: Immerse yourself in the intersection of art and culture, including music, fashion, and design.


JUXTAPOZ Magazine is your essential resource for celebrating contemporary art, exploring creative expression, and connecting with a community that values the beauty of visual arts. Subscribe now and become part of a community that appreciates the diversity and creativity of contemporary artists.

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