Musicworks - 143 - Fall 2022

Dans ce numéro

ON THE COVER: Jessica Moss discusses the influence of ancient klezmer and modern drone on her music, a transcription project with conductor Isak Goldschneider and chamber ensemble, and the resurrection of her avant-klezmer band Black Ox Orkestar. INSIDE: “Resequencing Resonances” reveals how two Toronto venues (the Tranzac Club and the Canadian Music Centre) navigate the discussion and action around musical repatriation. Since his 1982 cassette release Midnite News, Ohama has become a prolific producer and sound-art composer, as well as a community advocate for Calgary’s most marginalized people. Chloe Alexandra Thompson’s exploration of the physical properties of sound has guided her path as an artist and her understanding of electronic sound is, and what it means to transmit it. Jordan Dykstra discusses improvisation, Alvin Lucier, and composing music for chamber ensembles and the screen. As DenMother, Sabarah Pilon creates emotional landscapes with drones and post-industrial beats, threaded with passionate vocals. Mariana Vieira The Unexpected Encounter with Diversity was the first-place winner of our 2021 Electronic Music Composition Contest.