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Metal Clay Artist - Summer 2011

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Dans ce numéro

In this issue:-

Sterling Silver Clay: A natural Evolution by Lisa Cain
Blind Tests of the Two Sterling Silver Clay Formulas by Lisa Cain
Why I 'invented' Sterling Silver Clay and a Brief History Lesson by Lisa Cain
Demystifying Jewelry Photography by Lisa Barth
The White Background: Trendy or Technique? by Harriete Estel Berman
Book Reviews by Pat Evans-
The Handmade Marketplace: How to Sell Your Crafts Locally, Globally and Online by Kari Chapin
The Complete Idiot's Guide to Selling your Crafts by Chris Franchetti Michaels
Big Bling Rings by Christine Kramer Norton and Barbara Becker Simon
Clay Convergence, the Remains of the Day by Lisa Pavelka
Artist Profile, Jennifer Smith-Righter by Julia Rai
Reconstituting Silver Metal Clay by Lisa Cain
Not Untitled: 40+ Incentives to Name your Jewelry by Marthe Le Van
Tool Talk by Pat Evans -
Clay Squishers
QuikArt Elements
QuikArt NoStick Pens
Gallery of Work
Basic Set Ups, Metal Clay, LOS Patina, Keum-Boo
How To Projects:-
Summertime Bling Necklace by Joy Funnell
Heart of Glass Pendant by Trish Jeffers-Zeh
Blue Window Cufflinks by Rosa Martha Celorio
Keum-Boo (Hotplace Method) by Kay Seurat
Dome Ring and Matching Earrings by Jane Font

Metal Clay Artist Description:

Éditeur: Brysella-Publishing

Catégorie: Art

Langue: English

Fréquence: Quarterly

Metal Clay Artist Magazine is the first and only print magazine in the world devoted entirely to the metal clay arts. It is created by metal clay artists for metal clay artists, and is designed to serve artists at all levels of experience, from beginner to very advanced.

The magazine features a wide range of metal clay-related content, including step-by-step projects, articles, how to's, guides, tips, techniques, artist profiles, and other valuable information about PMC(R), Art Clay(TM) Silver, bronze clay, copper clay, and mixed media (including polymer clay and glass). Our publication has an international focus, with content, subscribers and advertisers from around the world.