DIRK SYNDRAM STARED out the car window from the passenger seat as the blackened streets of Dresden, Germany, zipped by. As a museum director, Syndram doesn’t get many phone calls in the middle of the night; he isn’t often roused from his bed and driven into work in the predawn darkness. That sort of thing can only mean the worst has happened.
As his car slowed to a stop outside the Residenzschloss – the city’s iconic Baroque palace – Syndram could see that the cops had the whole area sealed off. It was now a little before six o’clock on the morning of November 25, 2019, and from the street that ran past the palace, a keen observer might have noticed the damage in a nook on the ground floor. A section of an iron gate had been pried apart. Behind it, where there had once been a window, there was now a gaping hole.
Police wouldn’t allow him through to survey the damage, but Syndram didn’t need to go inside to understand what had happened. He knew – better than anybody – what the thieves had been after. The window led to the so-called Green Vault, a glittering repository of 3,000 of the most precious royal treasures in Europe: gemstonestudded sculptures, ornate ivory cabinets, miniature dioramas, massive diamonds, and hundreds of other rare objects of enormous cultural significance – much of the trove commissioned or acquired by the early-18th-century monarch Augustus II, nicknamed Augustus the Strong, who socked it all away in his sprawling Residenzschloss, or Royal Palace, on the Elbe River.
Syndram, who’d been the Green Vault’s director since 1993, was horrified and mystified: The museum, Syndram would later tell a reporter, had in recent years conducted tests of its security system and determined that all was working perfectly. What could have possibly gone wrong?
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