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THE GRIMM TRUTH

Stereophile

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August 2025

A Q&A WITH AUDIO DESIGNER EELCO GRIMM

- ROGIER VAN BAKEL

THE GRIMM TRUTH

But Grimm Audio’s engineering acumen also extends to the analog domain, as evidenced by the LS1c active speaker system that made the cover of Stereophile’s April 2025 issue.1 In John Atkinson's measurements section accompanying my admiring review, JA wrote that over his 40-odd years of bench-testing audio equipment, the LS1c is “the best-measuring loudspeaker I have encountered.”

Considering that accolade plus glowing Stereophile reviews of the Grimm Audio MU1 music streamer (JA, March 2021) and MU2 streamer-preamplifier (KR, August 2024), and an extended conversation with Eelco Grimm seems like a splendid idea. How did he and his team pull off this succession of standout products?

It doesn't hurt that the 58-year-old entrepreneur combines formal training in electrical engineering with practical experience as a studio owner and recording engineer. He's also the former editor-in-chief of Pro Audio magazine, and he teaches at the university-level HKU School of Music and Technology in Utrecht. He has given keynote addresses at gatherings of the International Audio Engineering Society.

In spring 2025, after I had tasked myself with learning more about the LS1 system, I spent a day with Eelco at the High End Munich audio show. Over the next 12 months, we had a half-dozen phone and Facetime calls and exchanged countless emails.

WEITERE GESCHICHTEN VON Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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