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Musical Fidelity AI

Stereophile

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October 2024

In 1989, I bought my second pair of Rogers LS3/5a's from a guy on Staten Island who had them hooked up to a Musical Fidelity AI integrated amplifier.

Musical Fidelity AI

INTEGRATED AMPLIFIER

After playing the speakers for me, he began removing his zip-cord speaker cables and paused to show me how, at the amplifier end, his red-plastic Pomona Electronics banana plugs had partially melted from the Al's heat. We both laughed.

After it first appeared in 1985, the AI quickly became famous for its hot top plate. The top plate got as hot as it did because it was used as a heatsink for the output transistors, which were biased highly into class-A. The Al's hot top made tabloid headlines, but for me it was its bold, sinewy, un-transistory sound and timeless, sharply drawn styling that distinguished it from cooler running Brit-fi competitors such as Audiolab's 8000A, Creek's 4040, A&R Cambridge's A60, and NAD's 3020.

Despite the Daily Mirror headlines, it was the Al's all-natural sonics-not its top-plate temperature-that made it an instant classic.

Now it's back, looking and feeling cooler than before.

As I type this, it is 85°F in my room, and I just held my palm 1" from the Al's chassis-top heatsink and could barely feel heat rising up-maybe none at all. Using a digital oven thermometer, I measured the chassis-top temperature at 140.1°F (60°C): too warm for toddler fingers but 5° cooler than the original's design-specified heatsink temperature of 65°Celsius.

imageHistory

WEITERE GESCHICHTEN VON Stereophile

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If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.

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I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.

time to read

3 mins

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Is this the ultimate old-school analog move?

Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²

time to read

4 mins

December 2025

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STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS

Stereophile's Product of the Year Awards were first published in 1992.1 I decided at that time that, in contrast to other publications' awards schemes, we would keep the number of categories to a minimum.

time to read

21 mins

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DeVore Gibbon Super Nine

LOUDSPEAKER

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11 mins

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Some marketing claims are true

None of the amps I build are better than the others,” Justin Weber of Ampsandsound told me not long after we met. “They are just different.” I may have smirked inwardly. According to his company’s website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good?, I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps’ high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the performance offered by the little Kenzie? Writing for an audio magazine means I hear a lot of marketing claims, some more risible than others, and I have learned to take them with an entire seabed worth of salt.

time to read

11 mins

December 2025

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Lotti Golden

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.

time to read

4 mins

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Baby you can drive my car(tridge)

While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.

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MONOBLOCK POWER AMPLIFIER

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19 mins

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MANUFACTURERS' COMMENTS

MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).

time to read

2 mins

December 2025

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