Versuchen GOLD - Frei
Amphion Krypton3X
Stereophile
|June 2025
LOUDSPEAKER
One of the things I value most in life is clarity. In my work, in my intellectual pursuits, and in my relationships, I try to cut through the noise and find the place where I can clearly see facts, goals, feelings, the big picture. If I can find clarity, it's much easier to form opinions, make plans, and take action. Success becomes more likely.
In audio reproduction, my values are similar. I can't enjoy music if the system is producing a clouded, muddy, overly warm, or otherwise unclear sound. I want the electromechanical representation of music to be richly detailed, sharply focused, and full range in dynamics and frequency. In that kind of all-encompassing and attention-demanding aesthetic, I can truly hear what the music is about. Under those conditions, the nature of the recording—good or bad, craft or crud—is plainly heard.¹Clarity is a tall order for audio components, especially loudspeakers. Speakers don't just translate electrical energy into mechanical energy (sound waves); they must also fight gravity (metaphorically) and obey the laws of physics at every step. A design or build can go wrong in so many ways. What looks good on paper may not sound good moving the impure air of real-world listening spaces.
Every loudspeaker inherently has a voice, asound unique to its drivers, cabinet, and crossover network (or in the case of digital speakers, the digital signal processing that performs about the same function), and how they all combine.
That “voice” sounds different to each of our systems in each of our listening rooms. Full-range speakers in particular interact with rooms in important ways, which makes a full-range speaker's voice especially room-dependent. Absolute clarity is elusive—likely unattainable—so it’s not a cross to die on.
Diese Geschichte stammt aus der June 2025-Ausgabe von Stereophile.
Abonnieren Sie Magzter GOLD, um auf Tausende kuratierter Premium-Geschichten und über 9.000 Zeitschriften und Zeitungen zuzugreifen.
Sie sind bereits Abonnent? Anmelden
WEITERE GESCHICHTEN VON Stereophile
Stereophile
EAT F-Dur
TURNTABLE WITH EAT F-NOTE TONEARM
10 mins
November 2025
Stereophile
Hi-fi near and far
As the Spin Doctor, I tend to lead an analog life. I'm not just talking about my preferred ways of listening to music, but also my approach to other everyday technology.
11 mins
November 2025
Stereophile
HiFi Rose RA280
It's been said before, but the essential truth remains as shiny as a new 2A3 tube: A well-made, good-sounding integrated amplifier is a sonic marvel, a triumph of audio engineering. Sound quality is just the beginning.
14 mins
November 2025
Stereophile
15 FOR 50 1975 IN 15 RECORDS
WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.
12 mins
November 2025
Stereophile
Doing it for themselves—and for us
Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.
3 mins
November 2025
Stereophile
McIntosh DS200 STREAMING D/A PROCESSOR
McIntosh, which is based in my home state of New York, has long been in my audio life.
14 mins
November 2025
Stereophile
The BEAT Goes On
Adrian Belew had an itch that needed some serious scratching.
7 mins
November 2025
Stereophile
Half a century in hi-fi
Not many hi-fi dealerships can say they've survived half a century of history. Natural Sound, which is based in Framingham, Massachusetts, about 20 miles west of Boston, is one that can.
3 mins
November 2025
Stereophile
The skating force phenomenon
At the beginning of last month's As We See It, I wrote that I've lately been focused on \"analog things.\" I proceeded to write about refurbishing and modding my old McIntosh tuner. That's \"analog thing\" #1.
4 mins
November 2025
Stereophile
Monk's tenor
In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944.
4 mins
November 2025
Listen
Translate
Change font size

