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Location, location! How to cash in on your home
The London Standard
|March 20, 2025
Could you be using your home as an extra revenue stream? Forget frantically ironing pillowcases for Airbnb guests; Amber Hopkins, an artist and mother-of-two, regularly welcomes small teams of creatives into her house during the school day.
While she works upstairs, brand founders pose in her kitchen’s covetable oriel window. In her living room, the panelled walls provide a stylish background for everything from potted plants to pots of cream. Even her children’s bedrooms have been used by a child psychiatrist needing portraits. All to the tune of £100 per hour.
But what's notable is that Hopkins doesn’t live in a minimalist mansion. Located between the commons in south-west London, hers is a tastefully decorated but compact mid-terrace Victorian house. “The feedback I often get is it's clearly a lived-in family home that is aesthetically pleasing yet practical, which is how we try and live,” she says.
‘The Leyton home of Ashley Cowan, a virtual reality producer, holds similar appeal. His characterful mix of wooden furniture and vintage rugs finds favour with documentary-makers staging interviews. For a local poster brand, capturing its prints across several different walls in one swoop meant more bang for its budget. In the process, Cowan nets about £6,000 to £7,000 a year. “It has been a fantastic help. We've renovated the house and had the pebbledash removed — that alone was £7,000” he says.
Facilitating this almost-passive income is a new breed of location agencies, which allow anyone to book spaces by the hour. From a colourful kitchen for a TikTok chef or a garden where a stylist can capture outfits, fresh backdrops ensure users stay engaged.Scouty, a marketplace that launched in 2020, has disrupted the old-school model, which caters for big budgets, fancy settings and day-long shoots. “The industry for creating content has changed dramatically” says co-founder Ryan Gannon. “We've moved away from traditional media and towards a much more fast-paced, dynamic type of content.”
Diese Geschichte stammt aus der March 20, 2025-Ausgabe von The London Standard.
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